How To Get Young People To Become Audiophiles
There was a recent article on this topic at Home Theater Review.
I know, not exactly a haven for audiophiles but I think the article represents the views of a lot of people on the periphery of the industry.
First, there are some weird perspectives presented in the referenced article:
1. The article centers around the successful marketing of some reportedly lo-fiedlity headphones by a company with more marketing clout than all of the high-end audio universe put together (Monster Cable). This is not relevant to our industry. We are HIGH fidelity
2. Similarly, the article completely misses the point of vinyl [it sounds more like real music, and despite the lack of convenience, it is growing in popularity among the young – i.e. these are people who are willing to put in a little extra effort in order to have better sounding music… aka actual *audiophiles*].
3. “Historically, audiophiles have been quirky, non-showering, live-in-the-basement-of-your-Mom’s-house guys”? Funny, about 90% of our audiophile friends have a degree and own their own homes.
So the articles is really about how hifi is really a cult of losers and that our industry should give up fidelity and and put all our efforts into building and marketing cheap garbage to teenagers.
O…..kay. But I can think of several multinationals in the U.K. and Japan [not to mention China] already doing this. They know all about low-skilled cheap labor and modern social network marketing – not our business to do with the highly skilled engineering of the best audio reproduction equipment in the world.
So, let’s return to high-end audio.
In a large part, what all these articles are REALLY about is When, If Ever, and How Will HiFis Become a Big Fad Again (like it was in the 60s)? as people look over at how successful iPods and Facebook and Twitter and tablets…have been.
I think we can all agree that the younger generations really like music.
But, on the other hand, when has a generation NOT liked music?
And yet, all these generations come and go and, in the U.S. anyway, the number of audiophiles is more or less… what? Flat? Declining? Growing along with the 1% or so growth in population?
I would guess the latter, that we are slowly growing.
But…
The *behavior* of audiophiles is changing.
Anybody notice the sudden lack of stores selling CDs? Anybody notice the sudden lack of stores… of all kinds? [Boulder now has mostly Yoga studios, bicycle shops and a ton of restaurants whose half-life is about 6 months. And a LOT of empty retail space].
There are, of course, other changes… all of which make audiophiles a little bit harder to track [or at least different from just counting the number of retail stores or subscribers to Stereophile].
But,… if we really want our ranks to swell with the coming-of-age generation… well, if our ranks swell with people playing systems that do not sound like music.. then what is the point? This would not be high-end audio. Fi in HiFi stands for *fidelity*. So lets ignore lo-fidelity solutions [please].
Wireless is fine, as are tablet-based music servers, as long as people realize that you are actually sacrificing fidelity at various places in the chain. Why people think their $1000 wireless speakers or $100 USB DACs would ever sound as good as 5th generation $10K speakers or state-of-the-art $5K DACs is beyond understanding. But if we can stay in the Fact-based Universe for just a little bit, one can indeed build a Convenience-Oriented System, as opposed to a Performance-Oriented System, that sounds reasonably enjoyable.
So what.
The youth of today are addicted to always be seeing what their friends are doing. This has nothing to do with unsightly cables or the convenience of not having to get up off the couch and everything to do with social pressures associated with being young.
So adding some kind of social component to hifi systems might work. For example, what if each song you play is posted on your Facebook wall, along with a photo of the cool system you are hearing it on?
🙂
“Wireless is fine, as are tablet-based music servers, as long as people realize that you are actually sacrificing fidelity at various places in the chain. Why people think their $1000 wireless speakers or $100 USB DACs would ever sound as good as 5th generation $10K speakers or state-of-the-art $5K DACs is beyond understanding.”
I’ve never heard $1000 wireless speakers, but would hope they sound fine.
Personally, I think that the under-$1000 B&O Beolit 12 sounds better than a $20,000 mid-fi system with $7500 speakers, $4200 amplifier, $4200 preamp, $2000 DAC, pricey wire, etc. in terms of delivery, but perhaps a different set of speakers would get me going.
I quite liked the same system with $15,000 amps (same manufacturer), and $200,000 speakers (different), which elevated it to hi-fi status.
In my mind, perhaps hi-fi companies offer the equivalent of vehicles that are not suited to typical driving: fine on a nice curvy road, but overheat in stop-in-go city traffic with no built-in stereo and no ac, and certainly no video to keep the family entertained in the back seats (there are none).
I’m not talking about features, but ability, per-se. It’s unconscionable to produce domestic loudspeakers or stereos that can’t play Justin Beiber freakishly well. I’ve heard him well-done on Anthem M1 amps, Mark Levinson no.326s pre-amp, ML no. 512 CD, and Revel Ultima Studio 2 speaker, but unbeliably poorly done on other mid-fi systems.
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Mike,
A few universal truths about the young (now or when I was young in the 60s):
– lack of money (to afford a true HiFi system)
– lack of experience (how do they know there is more to experience from music).
Can an easy-to-use (to attract more than the 1%), realitively inexpensive audio system be brought together to allow the inexperienced of all ages use the music sources of today (music servers and cloud). No wonder CD stores are going away when there are more convenience methods to obtain the music.
If we look at a scale of 1-10, the high-end audiophile equipment is maybe 7 through 10. Typical low end is 1 to 3 or 4. That leave a middle ground that should allow greatly improved listening pleasure at hopefully a small increase in price.
I doubt there are many folks that jump from an iPhone with standard earbuds (or pocket radio and later Walkman in my day) to a $250K all Audio Note system in one step. Most if not all of us have taken a long path with many system upgrades to get to where we are now. I think a new path has to be provided.
Thanks for the Blog.
Hi Les,
I think there are a number of inexpensive products out there that sound good [AN makes speakers and amps starting below $1K not to mention Audio Note Kits , as does Odyssey Audio, Zu Audio, Triode Corp, Acoustic Zen etc.].
But to your point that the young have to be able to find and hear this stuff…
Most big box stores like Circuit City, Tweeters, etc. are out of business and the one that is left, Best Buy, does not have what I would call very good sound.
Most small boutique stores cannot afford to run a store off the margin provided by inexpensive products.
That leaves medium sized stores like Listen Up here in Colorado which has 4 stores here. They get most of their revenue from home automation installation [I think] but they do provide a place where people can come in a see/hear April Music and other entry level high-end gear. Realize that many things in this price range are being sold on Amazon et. al. often at significant discount – so this stuff is probably a loss leader for them; just a way to get people to come to the stores.
And then there are shows where most exhibitors, including Listen Up, demonstrate rather expensive gear but a few do demonstrate entry-level gear [hard to find them though. Why no show directory that sorts exhibits by price???]
So, you are absolutely right, there is really hardly any place for noobs to hear inexpensive high-end audio. To a large extent this is just fallout from the fact that online ecommerce is putting brick and mortar retail out of business, especially at the low end.
Apple is countering this with Apple-owned stores, so if a person comes into the store but chooses to buy online, Apple still wins. This kind of branded-store has been proposed for high-end audio as well as the wall-mart approach [by Paul McGowan of PS Audio and perhaps others] where the brick-and-mortar high-end audio stores just rent display/demonstration space to various brands – not deriving most of their revenue from sales anymore.
Thanks for your post!
Take care,
-Mike
Hi Staxguy,
Not sure what system cannot play Beiber well – his is one of the most easily reproduced kinds of music.
It is a fallacy that “the better the system is the worse it plays all but special audiophile music.”
But there are SOME badly designed systems that are single purpose, like your sports car metaphor – and it is too bad that your experiences seem to have enabled you to hear quite a few of them 🙂
Take care,
-Mike