Listening room photos March 2017

[Still have a hard time writing 2017. Or ‘2’ for that matter :-)]



This is the main listening room with the Acapella Cellini speakers and La Musika integrated amplifier. Audio Note digital CDT-5 and DAC 5 Signature.

Finally sounding…. OK…. here, though we still have some issues with the very thin 1/4 mahogany plywood walls [the (awesome) windows are much more substantial, sonically, than the walls in these Eichler homes!]


The small Audio Note room, AN/E SEC Signature speakers, Kegon amplifiers and M2 Line Balanced preamplifier sounds quite nice, though we are divided on whether to push the speakers just a little bit more into the corners or not. This room also has extremely thin walls, and zero insulation – but it is working better than we feared at first. Still lots of experimenting going on here. Tonality and frequency response are pretty good; still working on the soundstage.


The dining room system, trade-in Avalon Eidolon speakers, is not setup and Neli is still a little upset about it. Took us forever to commit to really using the dining room this way, since it also has Neli’s office in it and, you know, the kitchen.  🙂 But she should really just go with it – I mean it *is* kind of a nice work environment… 😉

Getting everything into a ~1500 sq. ft. home, with us both needing an office, another room dedicated to audio gear and tools [and perhaps someday serving as the guest bedroom] plus 3 listening rooms is challenging… but it is finally starting to work out. (!)


Feng Shui – Audiophile Style

The setting where we listen is important to the enjoyment and appreciation of the music. How important? I think more important than what people, on average, think it is. In fact, I think it is very important.

Even if you typically close your eyes while listening – lingering smells of that fish dinner you had 2 days ago, or a hard chair, or your neighbors arguing in he background about whether to watch Kung Fu Panda or Return 2 Madagascar [both are great] – will affect how we are hearing what we are listening to.

Feng Shui as currently practiced seems to avoid the consideration of sound systems, sound quality and, in fact, basic listening room functionality, in their designs. Or maybe it is just practiced by people hostile to audiophiles. [after looking up more information, it appears to be a somewhat unstructured and undisciplined practice – its greatest asset seeming to be that it actually brings some kind of human aesthetic, livability, into what had been exclusively economically-driven decision making. In fact, we may switch to calling this Livability just to side-step some of the Feng Shui hype]

So what we will do, over several posts, is to try and come up with our own Feng Shui for our listening rooms.

Let’s start by listing some of the things that can make listening to high-end audio not quite as pleasant as it might otherwise be [in no specific order, and some people are really affected by some of these, and some of us are not]:


1. Visual Cable Spaghetti [oh, we are SO bad at this]
2. Cables one has to walk over
3. Dust bunny build-up [:-)]
4. A cluttered equipment rack
5. Equipment on the rack with different colored faceplates
6. Equipment on the rack with different colored LEDs
7. Equipment on the rack with LEDs
8. Unattractive or overly large speakers


This is something I really care about and Neli not so much.

1. Seating too high or low
2. Seating too soft or hard
3. Seating reclined too far or with bad lumbar support
4. Seating with a reflective surface up near the ears
5. Seating that allows sunshine to get in the eyes
6. Seating that faces away from an awesome view of some kind


We wrote about this before. Ever-changing nature views [or solid colors] seem to be preferable so that a person does not get completely bored with what they are looking at. [Yes, some people just listen in the dark, which is another option].

1. A boring view
2. A view lacking some kind of symmetry
3. A view that reminds us of other things we have to be doing [e.g. mowing the grass]


Choose an overall ambiance and try and be consistent:

a. Lap of luxury,
b. Rustic,
c. Modern,
d. Homey,
e. Comfortable,
f. Historical,
g. Theme-based [for example, covering the walls in Grateful Dead posters, or LPs, or Native American art or…]


It is my supposition that getting to the listening chair is not as important as it might be in other applications [i.e.offices, where the dynamics between the person behind the desk and visitors coming and going is of primary importance] . This is because, like home theaters, one, generally, spends 99% of their time in the listening/viewing chairs and not coming and going from the room – so having the chair with its back to the door is appropriate [Livable] as well as functional.

Next… example turnkey Audiophile Feng Shui setups.