Pursuing the Ultimate Music Experiences

Audio Federation High-Fidelity Audio Blog

Website down for a few hours yesterday…

“…but it’s all right now.”

Do you know – we could see – a whole Blog written using only Beatles lyrics?

Except for the words like Blog and Website .

Guess that’s why they say that you can get through life just fine if you are able to quote, and understand, every Star Trek episode AND every Beatles song.

They don’t say that?

Sure they do.

I bet someone does….anyway.

A little wacky here tonight… ?

Next will be a Blog software update. And we will probably widen the blog to 1000 pixels from the current 740 or so. Should make for larger photos.

Also need to make the top picture show up on Firefox – and be clickable. Stuff like that….

Sitting back…

Usually we choose one system to leave playing all day – and recently that has been the Kharma Mini Exquisite loudspeakers, the Edge Signature One monoblock amplifiers, and the Audio Aero Capitole CD player – all cabled with Valhalla. Very nice. I wonder if Kharma hasn’t tuned their speakers of late to sound very excellente with solidstate amplifiers – as these are the style of amplifiers that they now make themselves.

The Lamm ML2.1 amplifiers got all new tubes and are breaking in…

We are still trying out / breaking in the Jorma Design power cords – veddy veddy interesting. VERY transparent.

Went shopping for LPs at a large antique store which was near where my car was getting it annual thing. Boy, quality (no covers no nuthin?) and pricing (some of these prices are nuts!) sure does vary wildly. Got some Blondie LPs (no, not lips, L-P’s) in great shape though, and a B&W speaker demo LP (haven’t heard it yet), and an LP of turn-of-the century Caberet songs. Anyway, sure made waiting for the car a lot more fun 🙂

Audio Federation is Happy to Announce That We Now Carrry ELROD Power Cords

We have been auditioning the Elrod Statement power cords here for a few months now – and it has become one of those things that we, epsecially Neli, just can’t live without (and its not so awfully expensive that we don’t have to live without them – at least for a little while :-)).

ELROD's STATEMENT power cables

After seeing the Elrod powercords for years at shows like CES and Stereophile’s Home Entertainment Show, an audition was arranged. Being somewhat unweildy, we tried them mostly on amplifiers.

They just do something that no other powercord does, in our experience, nor is it likely to. These puppies are massive – they seem to let the amp have as much juice as it wants when it wants it [thinking of audiphile powercords now as a local reservoir of electrons – at the ready when the music’s dynamics require there to be adequate power NOW] and the resulting relaxed, open and deep sound is refreshing and natural.

ELROD's STATEMENT power cables

An upcoming Blog post will talk more about powercords – and the shootouts, specifically – but for now just imagine a spectrum:

Very detailed, Fast < --------------------> Very open, relaxed, round and full-sounding

on that spectrum we have:

Nordost Valhalla powercords < -------- Shunyata Helix Anaconda Alpha ------ Shunyata Anaconda Helix Vx -------- older Shunyata Anaconda Vx -------> Elrod Statements

The older Shunyata Anaconda Alpha is not as open sounding as the new Shunyata Anaconda Helix Vx so it should go to the left of it…

but it is less detailed, so it should go to the right of it… so this is not a perfect scale against which to measure all powercords…. but it is a start, I think.

ELROD's STATEMENT power cables

Anywho, the Elrod powercords on the right there is the sound that we, and many of our customers, are often looking for. A sort of antidote to the tight, controlled, detailed sound that many of our other customers like – but which some find a little too clinical and unnatural and who like more macrodynamics.

We have had the Elron Statements on the ML2.1 monoblock amplifiers quite a bit of late. Luckily the Marten Design Coltrane loudspeakers have a bass adjustment knob, because we got a LOT more bass all of a sudden when we put these powercords on.

We got similar, but somewhat less dramatic, results on the other systems and amplifiers we put these on.

These powercords are an easy fix for A LOT of anemic and/or clinical-sounding systems out there!

ELROD's STATEMENT power cables

Wow, it is the 10th of July already….

Been a rainy week and it has been quiet here….

Let’s see… a 6C33C tube expired here on one of the Lamm ML2.1’s – we think the sound on these may have been comprimised for the last week or so because of this bad, bad tube – so we moved the Kharma Mini Exquisite loudspeakers over to the Edge Signature One monoblock amplifiers. Sounds Great!

Did a shoot out of 6 different powercords: EL-ROD Statement, Nordost Valhalla, Shunyata Anaconda Alpha, Anaconda Helix Alpha and Anaconda Helix Vx, plus the Jorma Design powercords as the underdogs. More on that sometime….

Auditioning another preamp …

Yep. Been quiet here.

HRS MXR Equipment Rack Assembly Photos

Our first Harmonic Resolution System MXR equipment rack, in gloss black, arrived just before the HE 2006 show. So we assembled it, taking lots of photos, played it for a few days (yes, it is just like a component), and then were subsequently inundated with reports to write: From the HE 2006 Show Report, to the VTV 2006 Show Report, to the Cogent True-to-Life horn loudspeaker tour.

So finally, without further delay, we have finally posted to the website (oh, please no! Not more photos! Yes, more photos) the Tour in Gloss Black, the Pictorial Odyssey through the Process of The Assemblage, the Celebratory Victory over the Vibrating Elements of the Sound Dimension, The….

Assembly of the HRS MXR Equipment Rack

Assembled but empty HRS MXR equipment rack

This is an equipment rack whose sonic impact on our system in listening room number two Blew Our Minds. We thought it would sound a little better – and look better by hiding all those cables.

And the feel of this rack is like that of a Mercedes – with tolerances few turntables can match – and a truly Impressive impact on the sound – especially dynamics along with much improved evening out, a cmore correct proportioning of all sorts of sonic properties across the frequecny spectrum, top to bottom.

Kind of a loss for words here – everybody expects that a $50K preamp and a $20K pair of speaker cables are going to sound pretty dran good, right? But a 15K equipment rack?

Yes! Yes, Yes!

The Lamm ML2.1 amplifiers now had SLAM on the Marten Coltrane loudspeakers…….!

…… all because the Lamm L2 preamplifier, the Audio Note CDT-Three transport and the Audio Note DAC 4.1x Balanced were on the MXR rack instead of on the Acoustic Dreams equipment rack – no slouch itself in the vibration control department either, at least compared to the rest of the competition.

Assembled and populated equipment rack

What, with the Jorma Design Prime cables, the Audio Note M10 preamplifier, and this HRS MXR equipment rack – we have heard a lot of stuff in this last month or so that KICK sonic booty –

that dramatically improve the sound of already state-of-the-art systems,

that really go one step beyond what are reasonable expectations for what a pile of resistors and spun metal can do to one’s mind,

that can open doors into new dimensions of visualizations and sounds to which we attach the dramatically understated label ‘music’, ….

i.e. they kick some humongous sonic booty. 🙂

How deep to you want to go today? Red pill or blue? Or gloss black?

Me, I’ll take gloss black.

The Cogent True-to-life Loudspeaker

While at Stereophile’s Home Entertainment Show 2006 in Los Angeles we visited the home of one of the principals of Cogent True-to-Life. Cogent is working on modernizing the field-coil compression driver that was used in loudspeakers ‘back in the day’.

To hear what these drivers sound like they put them in custom loudspeakers such as the white horn loudspeakers we heard at CES 2006 and earlier this month during our visit.

Close up of Cogent True-to-Life high-frequency horn
Close up of Cogent True-to-Life high-frequency horn

We very much liked what we heard both at CES and during our recent audition – though we feel that both systems were comprimised and wonder what these modest horns with their state of the art drivers would sound like hooked up to comensurable equipment.

Perhaps the Mixibitors will come to the rescue…

But until then here are some pictures and some listening impressions:

The Audio Federation Cogent True-to-Life Horn Loudspeaker Report

Enjoy!

A Fond Farewell to the Audio Note M10 preamplifier

It was only on loan – we thought we could keep it for awhile, but some lucky person decided to buy it and this morning I wake up to them sitting on the table, all cleaned up and shiney.

We only got a chance to hear them a short while – but I am ex-ex-experienc-ing with-draw-all symp-symp-symp-….

Audio Note M10 preamplifier
Audio Note M10 preamplifier

One of the Audio Note M10 preamplifier's Galahad power supply
One of the Audio Note M10 preamplifier’s Galahad power supply

Audio Note M10 preamplifier
Audio Note M10 preamplifier front panel

More later when we recover….

Audio Note, Lamm, Audio Aero

Audio Note AN-E/SEC Silver Signature loudspeakers, Lamm ML1.,1 amplifier, Audio Aero Prestige CD / SACD player in listening room #3
[Audio Note AN-E/SEC Silver Signature loudspeakers, Lamm ML1.,1 amplifier, Audio Aero Prestige CD / SACD player in listening room #3]

What a nice system. Works great in this room – deeply enjoyable, great PRaT, emotion, realistic and well-articulated voices…. we like it!

And everyone else so far likes it too 🙂

Audio Note AN-E/SEC Silver Signature loudspeakers, Lamm ML1.,1 amplifier, Audio Aero Prestige CD / SACD player in listening room #3

OK, we have an audition this evening – now! – so we’ll have to post more on this later….

We Are Not Your Typical Dealership

This confuses the hooey out of some people in the industry – especially those who are salespeople who are only mildly interested in audio.

“What?!?!? You mention brands of audio equipment on your website that you don’t even sell?” “You tell people that there are pieces of equipment that you don’t sell that they should consider buying? Are you nuts??!!”

Ignoring the literal interpretation of nuts for the sake of argument…

We are not here to push equipment on people. We don’t do the lie, cheat, cajole, threaten, intimidate, techno-babble rag to make people buy something. We don’t like it when it gets done to us, and we bet our customers don’t like it when it gets done to them either.

We ARE here to help people build systems that they love and that they can grow with.

Sometimes this takes awhile – everybody has a different word for, say, detal, and everyone thinks transparency means something different from what everyone else thinks it means. It would be kind of funny if it weren’t so tragic.

But eventually we do determine what each person’s personal preferences are, and make recommendations about how they can get where they want to go, either step-by-step, component-by-component, or as a compleete system upgrade.

And, yes, we have to admit it, we do indeed carry some of the world’s most consistantly state-of-the-art equipment – each of our components provide a sound that is the best-in-category solution to several different types of sonic preferences – and which have little, if any, deliterious …side-effects.

But we don’t carry everything.

It a customer wants bottom end slam, and that is all they want – and they don’t care about any … side-effects… then we would probably recommend a Krell or VTL amplifier – they are some of the very best at this in our opinion. No we don’t carry these lines and never will – too many people (including us!) want something more than just slam. [And besides, on a near-perfect vibration-controlled system, the Lamm ML2.1 or high-gain Audio Note Kegon will provide as much slam, in a much more realistic manner, on many if not most loudspeakers – that is for all kinds of bass except that originally generated by the muscians using electronics for, say, techno – which we love but it is only one genre we love of many].

What are our preferences?

Our personal preferences, as always, are that we want everything. From Impressive to Magic. Lots and lots of everything.

We run our systems, when they are tuned just for our ears, with very low-profile tires, close-to-the-metal, red-lining the performance so that it is as real as possible without being too neutral sounding, as much slam as possible without overloading the room or causing an unbalanced presentation, as much detail as possible without the midrange calling undue attention to itself, etc., etc., etc., etc.

Neli feels like we may be leaving too many people behind, as we continue to optimize the systems as we try more and more pieces from all over the world that increase the performance a little bit more here and a little bit more over there….

However, I think that people want somebody who is going the same way they are (no, not to the loony bin, we are all already there! :-)) and want someone they can talk to about what each of these optimizations do so that they can decide which one is right for themselves at this time – and which ones might be right next month, or next year.

In any case, this will hopefully give our readers an idea of WHY we have the Audiophile’s Guide to the Galaxy, and Show Reports that talk about the sound and don’t just gawk at the pretty things, and this Blog that talks about the different purposes of different systems and components and how each of us wants a different balance and therefore different components – and the rest of our ever-evolving ever-expanding Audio Federation website.

And hopefully this will give our readers an idea of why WE are here.