Stereophile's Home Entertainment Show 2006

[Stereophile has graciously offered our readers a $5 off deal on tickets to the HE 2006 show. To save the 5 bucks, go to Home Entertainment 2006 to register and enter the super secret passcode “audiofederation” when you sign up for tickets online. ]

Well, it looks like Audio Federation is scheduled to attend the Stereophile Show in L.A. in June. [yes, now that we’ve started to speak of ourselves in the third person – we KNOW we’ve made the big time 🙂 ]

HE2006 logo

“I hope it doesn’t suck.”

OK, I just had to get that out of the way. 🙂

Stereophile shows are pretty consistant from one to the other. So I think we all know what to expect. [Details? You want details? OK. As a consumer oriented show there are the local dealers who bring in their best stuff and from what I can tell make it sound way better than it does in their showrooms, but that few dealers have either the product lines or the skill or the patience to make these systems really sound great. The manufacturers and distributors who do attend tend to not bring their top-of-the-line stuff because it is a consumer show, and not all consumers are millionaires – which is really kind of too bad from our perspective and we wish the govt. would get back to work on the economy and remedy this, toot sweet].

Another HE2006 logo
And as for locale, nothing against L.A. per se, but NYC and San Francisco, previous venues for HE shows, certainly have more glam and more culture from this small town boy’s perspective.

We are still working on the structure of the reports, trying to get to that Ultimate Format. Both the Montreal style and the CES style have some things in their favor. As is typical in my experience, the solution probably involves even more work: perhaps a long flowing textual report [like putting the Montreal Commentaries into one long commnetary, and commenting on every room, and having bookmarkable links to each rooms commentary in this big, long report – kind of like CES but with fewer photos] along with a room by room photo montage, each room on a separate webpage, like Montreal’s room-by-room photo pages.

Hmmmm… was that confusing?

Anyway, nothing is set in bits and bytes until the day after the show, so…. so you’ll have to stay clicked in to see what really happens! [And if you have an opinion about all this one way or the other, or perhaps for something complety different, please let us know].

Dr. John announcment
Hey, Dr. John is supposed to play there! Let’s see, uploading the days’s best photos or seeing Dr. John play? Uh oh.

Though, you know, I haven’t bought a Dr. John album for over 20 years…wonder what he sounds like these days? OK, bye for now, its off to Amazon and who knows where to see what he is up to these last few decades….

The Mixibitors at the Montreal FSI 2006 Show

Top Secret ASCII-encoded message dated: 4/20/2006

Under no circumstances may this information get into the hands of hotels or nervous exhibitors.

It is only through the utmost care and stealth, and the slience of you, the reader, can the Mixhibitors live on to create uber systems out of what they consider to be the crude parodies found in rooms at high-end audio shows throughout the world.

As a reminder: The Mixibitors are a group of fanatical audiophiles who live to form sudden, temporary teams very late at night at various shows in order to, with the utmost care and subterfuge, move components from one exhibitor’s room to another’s (usually large) room, mixing and matching the very best components to create Ulimate Systems and, thereby, the Ultimate Listening Experiences. Finally, in the wee hours, they must, with their last ounces of strength, return everything to their original rooms and systems, verifying that everything works as well as it did the previous day, as well as appears the same (this year, they almost ran out of the synthetic dust they use to sprinkle over everything to replace the dust that was displaced during all the moving – it was a dusty show).

Exact numbers of the Mixibitor membership are only available on a need to know basis. And since nobody does need to know this, nobody knows just how many there are in the world. There have been cases when groups of them, unbeknownst to each other, have hit a show at the same time. In cases like this there have been only minor dissagreements about what uber systems to build – it being obvious to everyone but the exhibitors themselves – and it has often been observed that more substance abuse than normal occurs under these circumstances.

This show was a nice change for Mixibitors, as there were not an excessive number of widely unbalanced systems in Montreal. But Mixibitors will be Mixibitors, so the itinerary went like this:

The big WAVACs from the big Verity Lohengrin room went down to the big Avalon Eidolon Diamond room, replacing the VTL amps. To replace the WAVACs there was a fight to see if it would be the new Berning monoblocks or the Nagra solid-state amps. As usual when there is a tie like this in the voting, the lightest component wins – so Berning it was. Not to take this lying down, the Nagra contingent moved the Nagra amps down to drive the gigantic Pierre Gabriel speakers.

And, well, that was it! It only took about 20 minutes for these senior system-swapping experts – with a lot of milling around of the Mixibitors who had nothing to lug from one system to another. And the results, they say, were mixed, but if it is one thing they tell me over and over – if you don’t pay the price of having to move these hernia-indiucing works of art – you don’t get to hear, or hear about, how they sound.

Hey, I just wonder how they don’t get caught lugging someone elses mega-buck equipment to and fro late at night. Or maybe it is when they do get caught that they decide to recruit the catchers as new members. Guess I might just start strolling shows late at night, seeing if *I* can be the one to catch them in the act and get to hear these Ultimate Systems.

A Kinder, Gentler Show Report

Neli thinks that maybe we should be going for a kindler, gentler show report. This from someone who wanted me to give out Q-Tip awards to rooms that needed, uh, some more time to work on their system.

What does this mean exactly? It is not like I can just not say what I heard.

Otherwise, what is the point? Just to type “Everthing sounds great” 100 different ways? Oh, and a bunch of prices and product announements? I. Don’t. Think. So.

She says “No more ‘Terrible'”.

How about ‘Icepick in the ear?”, says I.

“No”, she says.

“Ear bleeding?”

“No.”

“Finger nails on chalkboard?”

“You’re kidding, right?”, she says, annoyed with me and my intentionally slow witted ways, as usual.

So, before we publish our next report, we will perhaps have to post a little dictionary, or table, that goes something like this:

Terrible -> Having severe difficulties

Icepick in the ear-> Tons and tons and tons of energy in the treble region

Ear Bleeding->Unable to play at high SPLs in this room that was always played at high SPLs

Finger nails on chalk board-> High-fidelity Headache Helper? No? OK, this one needs work.

I guess they all need work.

But seriously, it will be interestng to see if something like ‘difficult to recognize our favorite songs on this system due to unusual behavoir with respect to the dynamic and frequency note envelopes as well as a somewhat Himalayan-like frequency response” is interpreted as easily as is the almost universally understood: “It Sucked”.