El Capitan of 6MOONS to Move to Europe

Yes, head honcho Srajan Ebaen says [last paragraph. No I don’t understand exactly what he is saying in the rest of the piece, either – though some of it seems to refer to our machine-like behavior patterns, ala the Fourth Way, and how this affects our audio equipment acquisition habits. Other parts… are, uh, not so clear to me, sorry]….but he is moving himself and the 6Moon HQ to Europe, while still keeping the American staff here going on all cylinders.

6moons logo

We always got a nice warm and fuzzy feeling knowing that Srajan was close by, down in Boulder’s sister city of Taos, New Mexico (some people think Santa Fe is our sister city… but they would be mistaken 🙂 ). Taos is a scenic 7 hour drive (or 6 if Neli is driving,… 5 if Neli is driving and Mike is asleep) from Boulder, which is where we hang our hats.

Not that either of us has visited the other, or anything, lazy bastards that we are. Yeah, yeah, we are every one of us so busy these days – but when does being so busy all the time translate into just being too lazy to spend the time to better organize our lives? Uh, a very long time ago for me, but this isn’t Oprah’ s blog, so we will …just….move….on…. Thank you.

Anyway, hopefully we’ll still see Srajan zooming through the hallways at high-end audio shows here in the U.S., intensely talking to someone or another, with this pleasant expression of extreme focus that always seems to result in one of the best show reports in the world.

Keep raising that bar, Srajan!

And thanks.

-Mike & Neli

Revamping the Speakers Page in the Audiophile's Guide to the Galaxy

A lot of the Audiophile’s Guide needs a facelift – most especially the equipment racks and turntables, not to mention the categories that are still empty.

But the Speaker category is now down to 8 speaker manufacturers, and if it continues in the current direction it will be down to 6 the next time I get near it with the delete key…And one can forsee a future in which the last standing manufacturer gets the axe – all because the current approach is flawed in a number of ways:

    It does not take into account that some speakers from a manufacturer are really much better than other speakers from the same manufacturer

    It does not take into acount the different goals for a system, each separate goal possibly arriving at a different ‘best’ speaker.

    It does not take into account room size and other possible constraints that affect the choice of ‘best speaker’

The new format will try to take these things into account by:

    Listing speakers instead of just manufacturers

    Adding categories to represent the different goals systems (people) have like ‘Impressive’, ‘Emotional’ etc.

    Taking into account small, medium and large room sizes

Not sure how we are going to organize all this data yet. But we are working on it.

Then we can add manufacturers like Sonus Faber and MBL to the list of best speakers – as they do have privilaged places in the speaker world – with respect to very specific sonic goals – just not at the top of best of the ultimate.

PranaWire Cosmos Series Speaker Cable

Life.

Not liveliness – which usually refers to bouncy dynamics.

Not warmth – which usually refers to 2nd harmonic distortion or rounded notes or slightly exaggerated decays of notes.

Not color, exactly – which usually refers to rich tones

Life.

It was very easy to hear, as we switched back and forth between the PranaWire Cosmos speaker cable and either Valhalla or Jorma Design No. 1 speaker cables during an audition a month or so ago. But very hard to describe.


The Cosmos speaker cable was single wire, and the Marten Design Coltranes need bi-wire, and the Acapella Triolons need tri-wire (though we still tried them on these speakers, but we were not able to determine much given the fact that the differences in the cables were causing annomolies in the speaker’s performance). But the Sound Lab speakers are single-wired and this was where we performed most of our listening.

While listening to the Sound Lab U1’s with the PranaWire, one could easily come up with description words: engaging, somewhat more dynamic – though more like a different distribution of dynamics for the various notes… no that is not right, joyful, colorful. But none of these simple description fit very well.

Colorful is a good description, but again maybe not, as people tend to use this word to describe exaggerated harmonics.

Or maybe a mix of “dynamic separation, color and a little warmth”.

nope. That’s not it.

So that is why I call it ‘life’. The music was alive. And when we took the cable off it was like we took out the music and shot it. It was like going back to watching black and white TV (for those of you old enough to remember such antiques).

The music just… died.


Not that the other cables do not do a top-notch job – we are very fond of them. They did not have any etch or glare and were not overly lean (especially with the Audio Aero Capitole driving them). The Sound Labs sound wonderfull full and detailed and dynamic with these other cables.

Yes, even with the PranaWire, there are always tradeoffs, and here the tradeoffs are a slight compression and congestion in the soundstage, especially during loud complex passages. Stuff I did not notice until the music was quite loud, and never noticed at all on very loud video soundstracks.

For various reasons we do not carry the PranaWire here at the Audio Federation at the present time, not to say that we will not someday in the future – we like Joe Cohen a lot and he seems to be able to put up with us, too.

Expensive? Definitely.

Hard to bend into position? Not so bad as you might think (and not nearly no how no way as bad as any of the higher end power cords we have here, but then again, that is setting the bar pretty low :-))

Was this just a special synergy between the Sound Labs and the PranaWire? I do not know.

But do I think about these speaker cables each time I listen to the SoundLabs? I try not to.

~sigh~