by Michael

News of the Week

A lot of unrated bits and pieces.

Apparently Hi-Fi+

was in dire straits when it was purchased.

Besides that nugget, 98% of what goes on Audio Asylum is bickering. So, yeah, nothing new there.

Mike (me) is miffed

that 1/2 of the hallway A on the 29th floor of the large photos section of the CES report was missing the photos and commentary and no one (NO ONE) told him (me). 😉

I have been listening

to a hip-hop radio station and it is great. Well, except for the repeating of about 10 songs over and over (not kidding) and the SHOUTING at me between songs to buy stuff, or, as often as not, telling me HOW GREAT they are that they are not running a commercial that particular moment.

But they play the Hip Hop’s that is a blend of techno (electronics), disco (it has a beat), rap (one can understand the words and they use a lot of slang) and soul (it is not angry like rap, instead it is more like love songs and good times). Anyway, sometimes it is nice for a pick-me-up, and then switching to the classical station at the first commercial to balance out the hormones and minimize the speeding ticket income of the local police.

Let’s see.

The Kegon Balanced

amps kick butt. They control the Kharmas like nothing else I have heard. I just sit there and listen to them and it is so fun, switching between the glory of the harmonic structure and the beauty of the music and the impressiveness of he control.

Solid state amps on the Kharmas, and probably on everything, can be likened to SHOUTING [I know, twice in one post with the all caps shouting. What is with that?] when they get loud. The drive the speaker by punishing it. By throwing watts at it. But a great tube amp drives it by controlling it with an iron fist.

I am not saying that solidstate amps don;t have their place. Sometimes we want to punish the senses, to push them aggressively. After work, sometimes we might want to let off some steam, or to get a little rowdy.

Kind of like a couple of shots of tequila versus a glass of fine wine. I’ve enjoyed both [and now enjoy neither] and it is great that music, and our systems, can be tailored to suit our every mood and desire… 😉

Danny Kaey reviews

the Audi car stereo over on sonicflare. This is probably a step above the one in my Audi S8, even though I had it replaced about 6 months ago [a pushbutton on the dash had fallen off, so they replaced the whole unit. Ah, German engineering. You have to love it. You have to wonder why.]. As I get older [yes, it happens here at Audio Federation too, darn it] I wouldn’t mind taking a look at that A8 V12. But just a look, mind you. A good… long…. look.

Oh, the stereo is decent. It is well-balanced, top to bottom for what it has to work with. A little tipped up [or more like pumped up, the port frequency of the door?] in the bass to counter the bass of the wheels on the road. I don’t listen to XM or Sirius – which needs like a tube radio or something to be moire than just bearable, it is so bright and neutral sounding [aka DIGITAL]. The stereo, for me, is better than the ones in the less expensive Audis and was way better than the Levinson in the Lexus, the Levinson being worse than the cheaper Bose in the Lexus. So, the Audi Bose system is nice, but no great shakes… it is not audiophile, IMHO.

in Audio Note / CES 2008 / High-end Audio HiFi and Stereo / Music / News 0 comments
 by Michael

Some updates…

Some photos:


The tops are now on the new Audio Note Kegon Balanced amps. Even with the old $700 used M1 serving as preamplifier, these amps are killer. Very controlled. Very perfect. Like the Nordost ODIN interconnect, it can be hard to find any flaws [we try, it is our job to try, I guess. Haven’t found one yet, unless it is the lack of 211 sweetness. Surprisingly, I do not miss the 211. Not sure why. Maybe the M1 is sweet enough. Or that I have finally outgrown the 211. Time will tell, I guess.]


We are using empty Walker Vivid boxes to hold up the big ELROD power cords [I think it looks cool, but is this kind of like product placement in movies? I guess it is better than using boxes advertising Mastercard and Visa 🙂 I know what you are thinking. That this is supposed to be a family blog. What’s next? Neon lights? 🙂 Sorry, I’m in a strange mood today ….].

Also, Nordost ODIN speaker cable is making its way through the photo.

The old high-gain Audio Note Kegon amps are in the background.


A better photo of the Sound Lab U1 system we demo’ed yesterday.


A close-up of the elegantly compact Soundlab system.

in Audio Note / High-end Audio HiFi and Stereo / Soundlab 0 comments
 by Michael

How Much Fun

We have so many things in the queue … so many things lined up to try, that it gets a little overwhelming. The exact sequence of things gets a lot of discussion and seems to be updated on an almost hourly basis.

We have:

1. Compare the charged ELROD powercord that has been on the Nordost ViDar cable burner to a charged ELROD that has not been on the burner – i.e. How does the ViDar affect performance? We already did the cold (uncharged) Vidar’ed ELROD compared to the hot (charged) un-ViDar’ed ELROD. [Note, ELRODs take about 3 days or so to charge up their capacitors]. While this was ijntersting, and we will report on it, not being the brightest bears in the woods, we finally realized that this was kind of confusing [I bet you are confused, too, by now :-)], overloading the charged versus uncharged test with the Vidar’ed versus un-Vidar’ed test.

I said it was fun. But it also requires a degree in Research Methods… apparently.

2. Compare the Kegon Balanced with the old high-gain Kegons. We can do this on the Kharma Mini Exquisites – which we anticipate will show that 1) … well, let’s not make any predictions [see, I’m getting smarter. Maybe there is hope…]. But the Kharma is actually quite hard to drive, especially the bass – especially if you want that big open Kharma sound [Kharmas always sound exciting and delicious and big, but not always that room pressurizing wrap-around that many people crave like hot butter on potatoes].

3. Compare the Nordost ODIN speaker cable to the Jorma Design PRIME speaker cable on the Marten Coltrane Supremes. This will be… well, there may not be a winner. I expect the ODIN to be more dynamic, which the Supremes love, and the PRIME to be more detailed, which the Supremes love. But for all I know I am getting it exactly backwards. That’s what shootouts are for. Proving it one way or another [at least with respect to the equipment we have here – we do try to perform part of a shootout on a completely different system to make sure that out results more or less reflect the general case].

4. Compare the Kharma Mini Exquisites to the Audio Note SEC High Efficiency Signature speakers. OK, yes, completely different… but both are 2-ways and, well they were the same price but now the Minis are $60K [seen the dollar lately?] and, well the AN speakers are… we’ll know when Neli gets the price list out [uh, oh, she’s gonna smack me when she reads this… I am already bracing for the impact… hurry up and finish this so I can delete it before she sees it :-)]. I expect the Kharmas to be more detailed and the AN more dynamic. Duh. AN is almost horn-like and Kharma has that legendary midrange resolution. But what else will we hear?

5. Compare the M1 phono stage to the Lamm LP2 phono preamplifier. OK, Neli thinks this test is stupid too… but I want to hear the difference in character between the two. We’ve had a number of other inexpensive and expensive phono stages in here, so this is not all THAT outrageous.

6. Compare the old EMM Labs CDSA to the new one with the upgraded transport and feet. We should be getting close to getting 700 hours on the new CDSA soon now, one would think [I don;t have a little 700 hours cooking timer on it or anything].

7. Oh yeah, we still have to do the interconnect shootout where the signal is quite large, between the preamp and the amp. We actually point to a system periodically and say ‘oh, this would be a convenient time and configuration to perform the aforementioned test’ [well, we don’t use the word ‘aforementioned’ in casual conversation, sorry]. But do we sit down and do the shootout? Noooooooo. It does take about 6 or 7 hours of focused concentrated listening, so it is hard to find the time. But soon….

8. We want to compare the high-power ELROD powercords to the low-powered ones on the Lamm ML2.1. At what point to low-powered amps draw high-power? Just what IS the difference in sound between the two?

9. I am sure there is a 9. And 10….

in Audio Note / Elrod / Emm Labs / High-end Audio HiFi and Stereo / Jorma Design / Kharma / Nordost 0 comments