Newport 2014. Astell&Kern


Didn’t hear any music here – most unportables were on static display. This was a nice looking music server


Closeup of the display of the Astell&Kern music server


Astell&Kern integrated stereo amplifier


The Astell&Kern aluminum Castor Diamond speaker monitor.


The specifications of the Castor Diamond speaker


The main listening stations for Astell&Kern’s portable players

Newport 2014. Perfect8, BAlabo, Bergmann


The Perfect8 speakers driven by a BAlabo stereo amp with Zanden digital and Bergmann turntable as source were in a very large room at the Atrium show hotel.

They had some problems here with the cartridge setup and the sound was either combing from the centerpoint between the speakers or heavily weighted towards the left side. Neli told me that she stopped by here on the last day and the turntable-fronted system sounded much, much better.

However, when I got there a few hours before closing they were playing digital, I think from the laptop, and the sound was nothing to write home about – overly polite and missing dynamics – and I did not have the energy to ask them to play an LP just for me.


Perfect8 speakers and BAlabo srtereo amplifier


The BAlabo stereo amplifier


The equipment rack for this room.


The Bergmann turntable


The rear of the Perfect8 speaker


Closeup view of the Perfect8 speaker from the top down.


The protoptye Perfect8 speaker crossover


Perfect8 desktop speakers.

Newport Beach 2014. Acoustic Zen and Questyle


Acoustic Zen Crescendo II speakers ($18K) driven by Questyle R200 wireless amplifiers and Raysonic CD player.

This was the first room I visited as I started touring the show with my big honking canon camera instead of my nice little light phone camera.

Acoustic Zen usually shows with Triode Corp electronics, but they are ‘taking a break’ in order to show that each sounds quite good without the other [we have photos of the Triode Corp room as well].

One of the more modest systems at the show, the total being in the low $20K’s.

The speakers were bi-amped with two Questyle R200 amps per speaker, each amp costing about $800.

The Questyle amplifiers were connected to the Raysonic CD player, not with cables but by the Questyle wireless transmitter.

The sound was quite good and dynamic, and only rarely and at high volumes could you tell that this was a solidstate system, and a very inexpensive one at that.

This system had exceptional imaging and I think we can say it was the best at the show in this regard [I think I can safely say this because it is rare that I get ‘startled’ by the imaging – but in this room I was. It is not for very note and every instrument, but often enough that it is frequent and noticeable]. Someone I respect heard this system the day after the show at the factory in San Diego, and unprompted said the same thing about the imaging… so if you are ever in San Diego…you can hear for yourself.


Here you see the Crescendo II speaker and the two Questyle amps.


The amps are cinched down because the power cords weigh more than they do and would otherwise tip the amps and pull them off the platform.


As you can see, no interconnect connecting the amps to the CD player, because it is wireless.


The CD player and the Questyle transmitter


The Raysonic CD player


The Questyle T2 Transmitter sending the CD player signal to the amps.


Static display of more Questyle gear.