New Harmonic Resolution Systems HRS RXR Rack

These photos of the HRS RXR rack are from CES 2014.

They were [are] supposed to go up on the Ultimist show report – but time has been at a premium here lately.

So we’ll post them here, and hopefully later will get back and add these, along with a 1000+ other photos, to the Venetian part of CES 2014 show report on Ultimist.

The RXR is HRS’s least expensive rack. Though more modestly priced, it still has that high-performance vibration control technology that the SXR and MXR racks were so successful with. Hard to pin Mike Latvis down on what percentage of the performance of the SXR we can count on for the RXR – but that has a lot to do with its configurability.

The rack can use any one the 3 HRS platforms for its shelves. Or you can mix and match. As you can see in the photos, you can use their top of the line M3X, their somewhat more modest S1, or a basic platform that was specifically designed to work in the RXR rack.

The idea is you can get the rack and a few basic platforms. Then, when funds permit, upgrade to the better S1 and M3X platforms – thereby slowly building yourself a very high-performance rack over time.

 

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The HRS RXR support system (equipment rack)

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The HRS RXR support system (equipment rack)

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The underneath of the new basic platforms for the RXR. The corners there are made of the special HRS polymer similar to that which goes into their other, top-of-the-line products.

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The HRS S1 platform on the RXR rack

 

 

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Adjustable metal feet.

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Finishing off this photo essay with photos of their Nimbus Couplers / Spacers, Damping Plates and Analog Disks

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Another look at the HRS Nimbus Couplers / Spacers, Damping Plates and Analog Disks

 

 

 

Na-Nu Na-Nu

Photo of Mork and Mindy coming down the Boulder Canyon at the beginning of their show.

Robin Williams always portrayed Real. In-your-face Real. Fearless Real. Real with a smile and a wink.

The Mork & Mindy TV show with Robin Williams and Pam Dawber ran from 1978 to 1982.

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It was situated here in Boulder CO, 2 blocks off the Pearl Street Mall.

I was in and out of University then, also here in Boulder. Like I have been for 41 years.

Boulder was still nice and wonderfully weird back then [probably before we became the smartest city in the U.S. (most BS and PHDs per-capita), and fittest city in the U.S.]

Being weird was… normal – lots of drugs, public drug-use, selling, buying… public laughing, singing, wearing funny clothes [even men!], be openly romantic… massive Halloween parties on the mall with 10s of thousands of people.

If you were a business and were going to make a go of it on the Pearl Street mall, you catered to the party ‘do whatever you want to do if it don’t hurt no one’ culture. This led to some very interesting business models.

It was awesome. It was relaxed. It was cheerful. It was non-commercial.

The Mork & Mindy show portrayed Boulder ass-backwards.

Mork was the normal one, the rest of the cast was your typical psychopathic Hollywood conceptualization of normal, normal hippies, normal bankers, whatever [well, not Jonathan Winters… he really WAS an alien :-). And Pam Dawber, she was a metaphor for all that less-weird women have to put up with when dealing with more-weird men].

They eventually included The New York Deli which opened on Pearl Street as part of the show in one of the later seasons. I knew people who worked there. I think my brother eventually worked there.

With the real house on Pine Street and this real restaurant, it was just really, REALLY, R-E-A-L-L-Y confusing at the time.

Where did Reality stop and Fake Real begin?

Seems like a silly question. Just like Robin Williams often seemed silly. But they are not. Not really.

For me, this is what the show was about, what Robin Williams was all about, what Weird Boulder was about, what being young and experimenting with life is all about.

A question which no one has answered and hardly anyone asks anymore.

But Robin Williams asked it. And kept asking it. And still asks it through his body of work.

O Captain! My Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills;
For you bouquets and ribbon’d wreaths—for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;

Here captain! dear father!

This arm beneath your head;

It is some dream that on the deck,

You’ve fallen cold and dead.

 

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Our congressman, Jared Polis, in front of Mork & Mindy’s house

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Later, the front of Mork & Miny’s house

The Guide to all High-end Audio Racks

We updated, modernized, and moved the Audiophile’s Guide to the Galaxy’s guide to High-end Audio Racks.

This is a pictorial guide of all the brands of all of the high-end audio equipment racks we were able to find. We chose a few prime examples from the manufacturer if they made more than one kind of rack.

We are still working on making it look cool and awesome [and pretty], but it is not so bad right now 🙂

Many racks are no longer being made, but people do still buy and sell [trade] them. So we may end up making another page of ‘dead racks’ in the future. Anybody interested in this?

At first I thought there weren’t that many racks out there. Then I discovered there were more than I knew. But, now, later, I am back to thinking there are not that many after all.

Most are just ways to get the gear off the floor so you can run 1 meter cables between it all. How else would we make this work? Laying flat on the floor? Then it would take some mental energy to figure out just the right layout to make all those 1m cables reach. Makes my brain hurt.

Just seems like one of those necessities of [audiophile] life – but few people talk about these things.

There are a few that tout this or that technological advantage, that they either don’t muck up the sound or, a very few, say they can even improve the sound.

Some are beautiful. Most are… less so.

Some are heavy. Some are not.

Anyway, the Audiophile’s Guide is a easy way to see everything that is available [know of one we missed? Let us know! Please!].