Continuing our COVID-19 high-fidelity vaccine to help keep the virus (or at least island fever) at bay…
Recorded in glorious 24×96.
This video may be blocked in Germany and the U.K. because of this song
Copyrighted content: Carpenters – Top Of The World (1973 Remix)
Sorry! But the rest of us get to hear it, along with:
Seems like life these days is highlighting tremendous gulf between the ridiculous (human folly run rampant in all its horrific sociopathic glory) and the sublime (human art, oh how plentiful and accessible, and oh, how beautiful!).
Just taking a moment to listen to some of the art…. to REALLY listen… [ Neli is playing an opera, the first half of which was featured last night on Tuesday Night at the Opera on KSFR Santa Fe hosted by one of us audiophile types… (Hi Darryl!) ]
Audio Note UK Gaku-On amplifiers, M9 Phono preamplifier, DAC 5 Signature, and S9 Step-up transformer and EMM NS1 streamer, all on a HRS VXR equipment rack.
Acapella Apollon speakers, Triangle Art Master Reference turntable.
And the music … listening again today, to the 24/96 recording from Qobuz (also on Tidal):
From my point of view the Holy Grail of High-end Audio is
Haven’t been posting a lot lately. A lot of this is because we have kind of been stuck travelling around the solar system and out among the stars.
See, it just so happened that we got the big Acapella Apollon loudspeakers, the Audio Note flagship Gaku-on amplifiers and the flagship Harmonic Resolution Systems equipment rack AND Roon all at more or less the same time.
Didn’t plan it this way. Would have tried to avoid it if we could do it over again. But here we are.
The OVERWHELMING improvement in the quality and depth of the experience, over what was already one of if not THE best in the Bay Area [my apologies to those who are burnt out on the all the lying superlatives tinged with righteous indignation that the poor internet in drowning in these days – but how else am I to describe this experience?], has been so significant that my ability to focus and report on what we are hearing is extremely difficult.
Let’s come back to Earth and talk about Roon.
Our audacious goal had been to make Roon sound as good as or better than other most other systems when they play vinyl or CD.
We lucked out in that the Audio Note level 5 DACs are a great match for streaming music. Their design has always been great for making average redbook CDs sound like they are supposed to [as opposed to the majority of other DACs that emphasize the flaws and only sound good on ‘audiophile-grade recordings’]. And this has translated perfectly to making streaming music sound like it is supposed to.
When the industry went from vinyl to CD, all we got was a little more convenience. Going from CD to streaming, we got literally 1000s of times more music. For old timers like me this is like Christmas over and over and over again.
I thought I had all of Frisell’s albums. Nope. And Jarre’s and Floyd’s and Neil’s. Nope. So many [new to me] albums of my favorite artists to be played. And more or less for free. [ And I can find them when I want to 🙂 ]
And they sound GREAT.
I mean, what can I say? [I can say the EMM Labs NS1 is a big step up over the old Auralic streamer. More detail, flatter response, less grunge. There you do, standard audiophile stuff]
This whole thing has been almost a religious experience [and I wonder about that ‘almost’]. The experience is ongoing …and I will write more about the Experience until I am better able to write about the nitty gritty audiophile details.
The cover photo is from the 10 hour long video [it gets boring after like a minute, IMO, but cool idea]:
