Just this one photo of the Ayon electronics and Lumenwhite loudspeakers.

Second day and I think this is the first room that had a stable, deep soundstage and realistic imaging, good separation, harmonic accuracy, enjoyability etc.. They were playing (classic) jazz, which I love but it is easy to reproduce; the dynamics seemed reasonable w/r to what is expected by most people with speakers like this [hedging my description a little for you horn, open baffle, or efficient speaker enthusiasts]. I think most people would consider this room a clear success though for me personally it was cold-sounding, lacking some harmonic content and engaging decay and subtleties – but that was the sound that was unusually prevalent at this show(!). In that sense then, this was the best price-no-object system* I will hear until the third day when we get to the Von Schweikert / VAC room, where the VAC electronics introduce some slightly more realistic warmth, albeit with their own issues.

*leaving our room out of the competition. Seriously, our sound, and goals for our sound, are quite a bit different than these other systems.

YG Acoustics loudspeakers and AudioNet amps

AudioNet amps

YG Acoustics loudspeakers

YG Acoustics loudspeaker rear

YG Acoustics loudspeaker rear

AudioNote amp rear

Kronos turntable

Kronos turntable