THE NEW NORDOST FREY INTERCONNECT (Just pictures)

The new Frey interconnects look slightly different that tne old Valkryja interconnects… and use different (Nordost-branded WBT) conenctors.


The new Nordost Frey interconects are a slightly darker purple and slightly skinnier than the old Valkryja


The old interconnects…


The new interconnects


The new interconnects


The new interconnects. Like the speaker cables, the green indicates that these are demo interconencts and not for resale.


The new connectors come with instructions, but they are of the common (counter-intuitive) turn clockwise to loosen, turn counter clockwise to tighten and fasten the connector to the binding post.

Nope, haven’t heard how these sound yet either…

THE NEW NORDOST FREY SPEAKER CABLE (Just pictures)

The new Nordost Frey speaker cable looks exactly like the old Valkyrja speaker cable.


Here is a picture of them side-by-side. Both cables are purplish ribbon cables a little less than 2 inches wide.

Both cables are purplish ribbon cables about 2 inches wide
The green on the spade connectors indicates that these are demo cables, not for resale (they have to be sent back to the factory for retermination before they can be sold).

We haven’t heard them yet..

Stay tuned…

THE AUDIO AERO PRESTIGE VRS THE AUDIO AERO CAPITOLE

The Prestige is better sounding than the Capitole.

What a relief.

You know, we really like the Capitole (especially me). So much of the competition that is supposed to be ‘better’ sound like a lot of digititus to me: heavy on the detail, light on the music.

But the Prestige had sounded pretty darn good at CES… but that was over a year and a half ago. And there had been rumours that they had made some changes since then…

But, no, all is OK. This thing really sounds pretty good.

In comparison with the Capitole:

A tighter denser soundfield. More solidity. More coherence. More transparency. More real.

More detail but NOT at the expense of the music.

More midi and micro-dynamics. About the same macro-dynamics – which has always been one of the premiere features of the Capitole.

Warmth is about the same, … well, maybe a little less. Still has that analog-like romantic tinge to it.

Tighter in the bass. Much. Much more detail. Which is a good thing… and it was one of the few weaknesses of the Capitole that its bass did not have enough detail for some people, but….Actually I am hoping and anticipating that the bass loosens up a little more over time (the Capitole took awhile too, about 6 weeks or so). Just a little. There is this balance – between detail and control in the bass yet a natural looseness that makes it all sound real – can’t describe it, but you know it when you hear it (the Audio Note U.K. Kegons amplifiers got it in spades).

Just one compaint.

Why do all these SACD players have to be so SLOW? Yes, they have to scan the disc dozens of times to determine which kind of redbook format the CD is recorded in, and then to determine if it is also an SACD. But, geez.

No, it is only marginally slower than the Meitner. And not as bad as the Sony SCD-1 as I remember it. So it is not unusually slow. What IS unusual is for the person putting in the CD (for exmaple, me!) to be of the patient, I’ve got 5 to 10 seconds to spare, variety of audiophile.

So, ***drum roll please*** …

Presenting the New World Champion of the Single Box Players (and it even plays SACD)….. The Audio Aero Prestige.

I like it.