Concluding the Think Pieces for Awhile…

But before we switch to the RMAF Show channel….

The reason people have so many problems with upgrading their systems in an orderly fashion is due to a lack of discipline…

We are all human… and being responsible for upgrading our systems, our human frailties impact the result.

1. Something is wrong… which component is doing the stinky? You, Sir CD Player, ARE the Weakest Link. [Human managed SA Optimization]

2. Someone else’s system sounds better in some way…. What can we purloin from their system to make ours as good in this way as theirs. Pardon me Sir, can you spare a Pair of 300B tube-based Single-ended Triode monoblock amplifiers? [Human managed Genetic Algorithm]

3. There is a sound that you dream about, a sound that is the ultimate sound. . You know what you want, and you, all the time, search and think about how to get there. Imagine if you will (and we all do), a music that is so pure, it takes your problems and makes mincemeat of them; so intricate and self-consistant it reduces reality to a charactercher of itself; … sound of thunder, speed of lightning, …. welcome to… the ‘Upgrade Zone’. [Goal directed A*Star Optimal Path Searching Algorithm]

Anyway, part of recognizing these approaches for what they are and looking at the correspondingly more disclipined, algorithmic apporaches is to try and prevent us from making as many natual human mistakes when we upgrade our system, to achieve a more gratifying result.

OK. Lots more to say – but for now… Hope you all enjoyed…

Stereo System Configuration Optimization Techniques

In summary, then, we have:

I. Simulated Annealing – When some number of the system’s components judged the weakest get replaced.

II. Genetic Algorithms – When the system ‘mates’ with another system that sounded good and so ‘inherits’ components from that system creating a 3rd child system. (Thanks to Steve O. for this one).

and I want to add another:

III. The ‘A Star’ (often written ‘A*’) optimal path finding algorithm – in this case from the original system to a better system.

The A*Star algorithm searches for the best, most direct and cheapest path by looking at paths that appear to be in the direction of the goal. This algorithm presupposes that there is a goal in mind.

I think one of the other of these three algorithms are executed, subconscously, by people on the system upgrade path. That III is going to be more successful than II, and II than I, seems to be a truism.

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It might be an interesting thought experiement to think about how, for example, a computer program that took a database with information about all known components, and, starting with your current system, could map out different systems that would improve the system, in the direction you want it improved, for each given price point.

I.E. What Neli does when you call her up (because we are comfortable recommending things we don’t sell)

This database would store information about each component, its warmth, its ability to control the bass of a speaker, its micro, midi and macro-dynamic capabilities, every sonic attribute we can think of. In effect, it would map each component’s location to a point in an n-dimensional space.

1. First the person using this computer program would type in all their current components. The program would then plot out the location of where their system is.

2. Then, the hard part, the person using this computer program, would have to pick a point in this n-dimensional space as the place they would like their system to move to eventually, how they would like their system to sound in the best of all worlds.

3. Finally, they would type in the amount of money they would like to spend, and perhaps other contraints like keeping the number of tubes below, say, a dozen, for heat reasons.

4. Then, pushing a button, they would get a graphic showing the systems that matched their monetray requirements along the path from their current system to the ultimate goal.

[Think of it as on Star Trek; with a million planets, how do they pick which one to go to for their shoreleave? They are going to need to use a program like this – can’t just go to Riisa all the time 🙂 ].

In the Audiophile’s Guide to the Galaxy, we have mapped some quadrants in this space: Impressiveness, Enjoyability, Emotionality, Magic… next we have to map out the stars and planets.

Audio Trek.

RMAF – Denver Rocky Mountain Audio Fest

15 more days.

We are spending a lot of time on the RMAF show preparations these days…

Deciding what furniture to have them take out of the room, and which to leave in

Making up a full page ad for the show directory (the booklet they hand out to attendees)

Getting our room posters made up that show the current list of product lines we carry… we added a few lately: Kharma, Elrod and Acoustic Zen (we love their Adagio speakers), and of course we lost Acapella.

Getting new business cards made up (we usually use the impetus of a show to update our business cards, if they need it).

Making up and printing out our handouts that we give everyone who comes to our room which describes each component we have in our system.

Focusing a lot at the gym on the muscles that are needed to Carry Heavy Equipment – especially those involved going up and down stairs.

Coordinating with everyone to get everything to show up on time for the show – things are looking positive lately on this front … (* W * H * E * W! *).

Creating the pages for our usual RMAF 2006 show report which are looking awfully empty right now…. The photo of the sunset was taken from our room at the show on I believe the evening of the last day of the show last year.

Drawing up the diagrams that show which components are going to go on which shelves of the equipment racks. We are taking our glossssssss black HRS ‘MXR’ rack, and HRS has graciously offered to send us out a loaner MXR rack, in silver (see pictures of a silver MXR in our photo rich HE 2006 show report).

And, of course, deciding which equipment to bring. 🙂 It is tempting to bring the whole store to the show…. but not very practical, unfortunately.

Its firming up a little bit. Mostly what is changing is which manufacturers and distributors are goijng to be able to make it. I think we added 2 and changed 1 since the last post was initially written (it has been updated since).

* Marten Design Coltrane Supreme loudspeakers
* Audio Note U.K. Kegon amplifiers
* Edge Signature One amplifiers
* Audio Note U.K. M10 preamplifier
* Emm Labs DCC2 and CDSD Signature Editions CD / SACD player
* Brinkmann Audio Balance Turntable with Titan cartridge
* Lamm LP2 phonostage
* HRS MXR equipment rack and assorted M3 Isolation Bases
* Nordost Valhalla interconnect (10 meter run from preamp to amplifiers)
* Jorma speaker cable
* Shunyata power cords
* Elrod power cords

In the Audio Note / Audio Federation room, there will be:

* AN/E SEC Silver Signature loudspeakers
* Kageki amplifiers
* M8 preamplifier
* TT1 turntable with Arm Two
* Acoustic Dreams equipment rack and amplifier stands

In attendance, besides Neli and I and Steve, local customer and invaluable assistant, will be:

* Dan Meinwald – Importer for Marten Design and Jorma Design
* Laurence Blair III – Importer for Brinkmann Audio
* Leif Olofsson – Marten Design
* Jorma Koski – Jorma Design
* Dave Cope – Audio Note U.K. Answer Man (next door in the Audio Note / Audio Federation room, room 9026)
* Mike Latvis – HRS (Harmonic Resolution systems)
* Steven Norber – Edge Electronics