Acoustic Zen Adagio and Audio Aero

Acoustic Zen Agagio loudspeakers powered by Audio Aero Capitole 50 watt amplifier in main listening room
Acoustic Zen Agagio loudspeakers powered by Audio Aero Capitole 50 watt amplifier in main listening room

We wanted to test a theory of ours – that the Acoustic Zen Adagio speaker worked better with amplifiers that were more ’round’ and less detailed sounding.

We also wanted to see if the Adagios could fill a room that is 15 feet by 35 feet by 24 feet tall, which is more or less open on one side, with sound.

Not to mention whether the 50 watt Audio Aero amplifier at 50 push-pull KT88 into EL34-based amp could drive the speakers…

Acoustic Zen Agagio loudspeakers powered by Audio Aero Capitole 50 watt amplifier in main listening room

Finally, almost finally, we are looking at building some lower cost systems out of the Audio Note and Adagio / Audio Aero lines and this system, at roughly $24K + cables and rack, is definitely on the inexpensive side here at Audio Federation. Whether we continue in this direction or not depends on the response from our customers – but eventually we would like to have a system, in some as yet imaginary showroom, that is based on, say, Audio Aero Prima CD player and intergrated amplifier and Adagio which comes in at say $10K + cables and rack, tuned by Mike and Neli with special cables and isolation gear. Similary for a comparably-priced Audio Note system.

And, besides all that, we are running out of room and so why not put the Adagios in the least likely place? 🙂

Audio Aero Capitole Reference CD player on Rix Rax equipment rack
Audio Aero Capitole Reference CD player on Rix Rax equipment rack.

Hey, it sounded pretty darn good!

Technically, and I have not listened all that critically yet but, it did not sound as accomplished as the system with the $70K Audio Note M10 and Emm labs CDSD / DCC2 driving Edge Signature One amplifiers, coming in at $130K, but this less expensive system captured more of the character of what these speakers do well: which is to create a satisfying, room-filling sound in a musical and very competant, balanced fashion. No tipped up mids and bass here, no collapse into mush at the first sign of complexity… not that we are point fingers at the, oh, I don’t know… perhaps the five most popular speaker brand’s speakers that cost less than, say, $40K? Nahhhhhh….

Yeah, there is a hump at the port frequency and a dip above it, like most ported speakers. But it is not overly prominent or distracting.

Listening from my office, which is off of the main listening room, it sounded different, but as enjoyable and nearly as emotional, as the much larger, soon to be shipped, system looming behind there in the photos. Considering the difference in cost and pain-in-the-ass factors, for casual listening one can’t help wondering why someone would want something more than this. But we are a store, so we do not wonder too awfully long. 🙂

Which brings us to in-room, critical listening.

Acoustic Zen Agagio loudspeakers powered by Audio Aero Capitole 50 watt amplifier in main listening room
Nordost Tyr speaker cable.

Next step is to put some vibration mitigation underneath the Capitole Amplifier, which is just sitting on its BDR cones on the carpet: most of the notes from, say, 1600Hz on down are muddied on the decay as their deliterious effects feedback upon themselves. I would like to go with a full out HRS Isolation Base and Nimbus Couplers – just to be able to get rid of these effects and be able to start probing for other weaknesses – but they are all on active duty here, so it would pain us to have to steal one from another system….We’ll see.

There is also a question about whether the less expensive Acoustic Zen cables would mate better with these speakers than the Nordost Tyr. If so, that will be a clear win in improving overall price performance.

Anyway…. This system is kind of fun to have up in this listening room, a room which is usually reserved for the big mutha systems we have here. Kind of nice to ‘travel light’ for a change.

Festival Express DVD

Festival Express

Festival Express

This is a movie, with 50 minutes of added material, about three concerts that took place in Canada in 1970 that were supposed to be Canada’s Woodstock.

Because of legal issues, it was not released until late 2004.

I had never heard of it until I ran acorss the movie about 6 months ago and finally watched it over the last two days…

The offical quotage goes like:

“In the summer of 1970, a chartered train crossed Canada carrying some of the world’s greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived (and partied) together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.”

Some of the performances are pretty good. Janis was just awe inspiring and makes the current crop of musicians these days seem like … pretenders… No, not THE pretenders! Like business people who sing songs instead of musicans who happen to make money.

Jerry and Buddy Guy (in the extra footage, especially) also show off their stuff pretty well.

But this is not the fun part about this movie, and I cannot say all that much about the sound quality [from what I can hear of it, it is pretty good], as it was played through a couple of little active speakers, our A/V system being kind of given the Supreme push into a corner for the moment.

What is great about this movie is the footage of all of these musicans partying together. Jerry and Janis singing together is most memorable. And the bunch of them discovering a new drug that they all like… alcohol.

It is the realization that they all decided to play music for a week straight on this train together (stopping once in a while to play at a concert), instead of retiring to their rooms to check the stock portfolios [I exaggerate, I hope, but trying to emphasize a point here], that shows how much into the music they were. That they were like most of us! How cool is that?

Guitar Fu

Or ‘Kung Fu for the Guitar’.

Back when I thought I had time (haaaaa ha ha ha) to learn how to play the guitar better, I subscribed to the Guitar Principles newsletter [Be careful with their bright red screen. Early in the morning it can be blinding, perhaps waiting until afternoon to visit might be better… Yeah, I just don’t think they got the Webdesign-Fu thing going yet].

Their approach has always been very deep, paying attention to every detail as well as paying attention to the numerous ‘purposes’ one has playing a guitar. Yes, it is very much like our hobby, but luckily we do not require much hand-eye motor coordination :-)!

[… though, often, the amount we do require can be duanting, plugging left channels into right, output cables into the input sockets, … all sorts of difficulties can arise if we do not FOCUS. Or maybe it is just us….]

For example, here is a (small) exerpt from their last newsletter, which I found myself identifying with both as a listener to musician’s music as well as a audio reproduction system optimizer [but not so much as guitar player – free time disappears as if it were nothing but a poof of smoke from Gandalf’s pipe]:

“….in the course of developing as a guitarist, you will be forced to confront who you really are, not who you think you are.” Musical performance does not allow us to lie, it forces us to speak the truth, whatever our truth might be. If I am afraid, if I am shallow, if I am passionate and profound; the music will say it.

As we play, we must ask “where is my attention? Is it focused on what I want, or am I allowing my psychic energy to be devoted to my fears and doubts, thereby bringing me what I don’t want?” The smallest corners of our minds and hearts, though we may keep them hidden from our awareness in everyday life, will come to life in the midst of our artistic endeavors. And that is why an artist must strive toward purity, which is earned through honest, fearless, and constant self observation.

So, let us observe ourselves fearlessly, especially when we play guitar, and see if we are focusing on the problem, or the solution. Is it our fears to which we give our attention, or are we thinking of and focusing on what we want? What we get [the results we get] will depend on the answer. “

Anyway, inspirational, for me at least. And I try to apply ‘Guitar Principles’ to other parts of my life.

[Boy, some people have bad hair days, I get bad spell days [everyday is a bad hair day, but I’m a guy, so who cares]. I’ve had to look up half of the words on this post…. *sheesh*].

Well, here we are at the end of this little Blog post….