A New Online Magazine

[For those of you who do not read the entire show report (no wonder why a few people got upset about the terseness of their room description, they had not gotten into the groove of the whole ‘audio noir’ thing) – specifically the main page with our list of favorites of show and pictorial index to all of the rooms – here is a copy of our pre-announcement of our new online high-end audio magazine]

A New Online Magazine

We are publishing a new online high-end audio magazine in hopefully a few weeks. This as-yet-unnamed magazine will use new technology that will allow us to do things other magazines and websites cannot. It will also be innovative in other ways in an attempt to better serve manufacturers and dealers on the one hand, and audiophiles on the other.

Why a new magazine?

Oh, there are so many, many reasons. 🙂

But the primary reason is that they are all so damn boring. ‘Reviewers’ focus way too much on regurgitating cookie-cutter equipment reviews in order to get loaned more free equipment. Bo-ring. Music reviews are written in a manner that has little to do with the way audiophiles actually listen to music. Snore.

The other primary reason is that the relationship between manufacturers/distributors/dealers and the magazines is like that of lobbyists and politicians. It is inherently corrupting to both. The result is that everybody distrusts and fears everybody else.

So, yeah, we gonna do things way different. We are going to focus on the fun and excitement of being an audiophile – all those reasons why we are doing all this crazy stuff in the first place. And we are going to provide several ways for manufacturers/distributors/dealers to get their message heard – without having to compromise their sense of ethics or take out a second mortgage.

To this end, then, …

We are talking with several people about writing for the magazine. If you are interested we would like to talk with you, too. We are not looking for and will not accept [most] reviewers – we will not even have traditional reviews, per se. We are looking for people who are extremely honest and can express themselves, who can bang on a keyboard a little [the Grammar Police have left the building], or use a video camera, or snap a few photos and share their perspective on why being an audiophile is so fucking intoxicating.

We are also accepting press releases, installation experiences, overviews of technological innovations, design perspectives, industry perspectives, biographies, factory tours etc. submitted by manufacturers/distributors/dealers [preferably full-page, but we will work with you], once per month, and will publish them for free. We are looking for serious submissions, in addition to the press releases, that respect the reader’s intelligence – something a reputable manufacturer/distributor/dealer would say to someone in their store or factory. We will also accept traditional ads, preferably full-page, but any size will work, for which we will charge standard prices.

We are also looking for one or more sponsors. Perhaps someone who wants to remind their readership each month that they are proud sponsors of the magazine. Or perhaps someone who wants to take more of an ownership stake. We will be contacting some potential sponsors directly, but if any of you want to contribute to the audiophile community in this way, please contact us as soon as is convenient.

For now, send email to me at: mike@audiofederation.com

Working on reviews of the Lamm ML3, the…

…Nordost ODIN power cord, and to be followed by the EMM Labs TSD1 and DAC2 once they get a few more hours on them.

These ‘reviews’ are rather longish and will be some of the first articles to appear on our new online magazine. [More about THAT real soon].

We’ve already done about 8 hours of shootouts with the ODIN power cord [and pretty intensive shootouts at that. It is a really great way to not only learn about a component, but the sound and relative balance of an entire system. Especially when you get to hear way, way farther into the music than you have ever before… well, ever since the ML3’s left, anyway], and we forgot a few configurations that we have yet to do [mostly to determine which is the biggest bang – adding the first ODIN power cord or adding the first ODIN interconnect to a system].

A first-timer's perspective

I talked to an audiophile who is just starting out – though he seems to be a very quick study, and knows a lot of the ins and outs already. I’m afraid I wasn’t much use to him, asking him questions instead of imparting advice [not that I ever impart advice, I am more comfortable guiding people and letting them hear for themselves and discover their own preferences, not mine].

His perspective on spending 4 hours at RMAF, his first show, was the following:

* Overwhelming

* There are a LOT of brands

* There are a lot of innovative and just plain WEIRD designs

I think he enjoyed his time there, but it didn’t really bring him closer to finding which speakers he wants to get [and me asking him 20 questions didn’t help much either :-)].

Perhaps there needs to be a printed guide, dividing up the rooms into price categories… but then show goers would miss out on hearing more expensive systems that might help them refine their preferences, and less expensive systems with stellar performance.

The real answer is friends. Friends can guide other friends…

And maybe the show needs to conduct guided tours – not of any price category, but floor-by-floor say, giving people an independent perspective on what they are seeing and hearing.