High-end audio cables myth Trolls need to be booted off the island

High-end audio cables myth trolls need to be booted off the island. Now. And preferably with a BIG honking boot.

Why?

Because they are not audiophiles and all of us treating them as if they were is hurting the hobby.

Trolls, not Audiophiles

People who antagonize real audiophiles, insisting that running a signal through different kinds of wire does not affect the sound differently [violating the first or second laws of thermodynamics by the way], are just trolls.

Sometimes this is easier to see just how ridiculous our acceptance of these trolls are if we think of this happening in a more well-known hobby, like autos.

Saying that different cables all sound the same is like someone saying that different tires make no noticeable difference when driving a car.

Typically [continuing our analogy] these kinds of people would own a basic commuter car [modest stereo cobbled together from good, bad and terrible gear, typically wildly unbalanced sonically]. They put on some modestly nice Michelin V-rated tires [cheap cables one step above Monster] on it, and noticed no difference when using their car [stereo] the way they usually do – just plunking around [playing 3- and 4-piece jazz]  .

 

These are people with minimal experience, minimal qualifications, minimal equipment, minimal skills at listening, and tragic inability to understand science.

 

So what is the problem? The problem is that they then go on the forums and loudly bash real audiophiles, shouting that in their ‘expert opinion’, cables have no affect on any stereo and it is all just hokum

These people declare themselves ‘experts’ though they do not ever think about [going back to our tire analogy]  WHY they do or do not like the handling, about how it responds in emergency and under hostile weather conditions; how it could be better, worse or different; how it performs in the extremes of acceleration; and what parts of the design contributes to this or that behavior and subjective enjoyment or lack thereof. Etc.

These people are just trying to rile others and get attention by acting extraordinarily stupid. 

Let’s not give it to them. In fact, let’s take ALL our attention away from them.

Hurting the Hobby

This is serious.

‘High-end audio cables myth’ is one of the first suggestions Google gives when typing in ‘high-end audio cables’.

When noobs visit one of the forums, and they see people accepting as valid another’s opinion that cables have no affect on the sound, that it is just our imagination, they draw the reasonable conclusion that ALL improvements in sound may also just be the wild imaginings of us audiophools.

To a lesser degree there are also those who believe all solid-state amps sound the same, that all CD players sound the same, and that all computer DACs sound the same. These people are also trolls.

We have become a playground for trolls. People who get off on being a**holes and jerks.

I’m Against the Death Penalty in this Case

I’ve thought about it but…. no.

So, not proposing anything too radical here 🙂

I just think we need to censure and, if necessary, kick these people off the reputable forums. If these forums are for Audiophiles, then let’s keep out the Audiophile-haters.

Face it, they hate us and yet they infest our forums.

Why are we putting up with this?

 

 

[Featured photo of big boot from Freshness Magazine]

Miles Davis: Pangaea – A genre of its own

On the front page of the Audio Federation website Neli and I get to post our favorite albums of the day, week, whatever.

[These favorite albums take the place of what was previously our Linkedin profile photos. Neli got tired of seeing this photo of herself everywhere. I think it is a great photo of her. Women… 🙂 ]

I currently have ‘Miles Davis Pangaea‘ as my Audio Federation front page album.

This double-album is part of a set of concerts during Miles’ electric funk space jazz phase. Agharta is another double live album of this concert series from Osaka, Japan. To a large extent Black Beauty, Dark Magnus, In a Silent Way, and even Miles Smiles are other examples of his of this genre. And as far as I am concerned he has this genre all to himself. Although Live-Evil is much more widely available, and many consider it part of this phase of his, I do not – it is more commercial electric jazz-fusion – nice but without the ‘space’ and ‘deep rhythm’ these other albums mostly have (Miles Smiles is missing a lot of the deep rhythm of these others, but it still stands above Like-Evil IMO in terms of groove and aggressiveness).

Here is what Amazon has to say:

“(2-LP set) Recorded on the same day as Agharta (FMN 811), Pangaea‘s 2 LPs of material are culled from the evening performances at Osaka’s Festival Hall. Featuring just 2 songs, both clocking in at over 40 minutes, Pangaea shows Miles’ band really stretching itself to the limit. Live electric jazz-fusion from the undisputed master of the genre. 180 gram vinyl in a gatefold jacket with a reproduction of the original black and white insert.”

I discovered these albums back in the late 70s, early 80s. There was a store on the ‘Hill’ in Boulder that sold lots of cutouts for $3 and lots of mostly Japanese and some European (mostly German) imports for $7. I spent a large percentage of my wealth here at the time [not much to speak of, but it was a lot to me…]. I got this as a Japanese import.

It was definitely an OMG experience that has lasted for 40 years. At the time it was also life-affirming in the sense that an ‘old’ master of ‘boring’ jazz could do something that was so now and ‘with it’.

There is nothing out there like it that I have come across. They lay down a groove with a significant beat and then overlay electric jazz and space all over it for over 40 minutes [on the album].

Make no mistake, this is NOT Kind of Blue. This is more like Funkadelic if you imagine them at the end of a week of playing in front of 100,000 people after being dosed to the gills over and over again. Or Sun Ra if Sun Ra knew what the heck a beat and a melody was.

There are some bootlegs of these concerts. Haven’t played them in awhile, so forget what quality they are [the music itself is, of course, awesome in the sense that It does Inspire Awe].

Neli likes these albums too and they are accessible to the average listener –  just Not At All what you would expect to hear from Miles Davis.

The sound quality is B+. It is really quite good IMO. I have mostly played the original Japanese import LP, though we have been playing the CD for convenience lately. 40 minute songs do require a commitment – there are no obvious places to stop the rhythm once it gets started – so you have been warned 🙂

 

LIKE Audio Federation on Facebook (please)

We now have an Audio Federation Facebook Page.

Now, with Audio Federation officially on Facebook, we need people to LIKE US so we don’t look quite so darn lonely. 🙂

We just added the old LIKE button from the old site to this new one.

And …. you might have noticed the number of Facebook ‘Likes’  we have is much lower now than what it used to be.

 

hand-pointing-up-right

It’s up there, in the upper right header next to the ‘blog’ link. If you click our ‘Like’ button here Facebook will know that you ‘like’ Audio Federation.

Well, there is a wonderfully wonderful reason for that.

*sigh*

Previously, the Likes were for Audio Federation, the WEBSITE.  Now the Likes are for Audio Federation the FACEBOOK PAGE. [Crazy that FB can’t figure out that they are one and the same thing. I mean, there are only about a  Billion websites who have had this problem. But no, they are just too understaffed and have no funds to hire a couple of more of best programmers in the world to do this little thing.]

You see, we just added Audio Federation to Facebook.

Yep. Good old 2014. What took us so long? Us? The geeky software geeks?

You probably already guessed.

Yeah, it was a husband and wife thing. Waiting for the other to do it. The other saying they were going to do it ‘sometime soon’, but never actually, you know, doing it. One of us [me] never going to FB and one of [not me] going there daily. But why would that matter in this battle of wills [yes, it was me who finally added Audio Federation to FB]

Spintricity was up there in 2009. In my mind that kind of put the ball in Neli’s court. I’ve dont it once. Not it is her turn. Not that she thinks this has anything to do with ANYTHING.

Before I get into even more trouble…

Please Like us again if you liked us before, because those previous ‘Likes’ now only exist in some dusty database table rows on one piddly disk on a forgotten server deep, deep in one of Facebook’s giant server farms.

If you haven’t liked us before, then please Like us NOW.

We’d really appreciate it.

Thanks everybody!