Tidal Hate, roon and chosen.fm, CanJam SoCal wrapups – Audiophiledom April 2, 2015

Tidal Hate, roon and chosen.fm, CanJam SoCal wrapups

The Press hates TiDaL Streaming Music. They really do. Or they hate Jay-Z. I don’t get it [and no, it is not the press hating rich people – they LOVE rich people. Who do you think buys ads?]

Long detailed list of Hate Press in Computer Audiophile and a summary at AudioStream.

Some of it is people having problem with a subscription service. Mr Lavorgna comments that freemium is dead, but in fact it is growing rampantly, it is just not working out so well for the musicians and journalists yet. When one game can make $200M to $1B+ off of freemium, it is not dead. It is that the music services still suck, they just don’t know it yet.

Maybe Roon or Chosen.fm will fix this:

 

roon-logo

It appears that the core Sooloos team now sees the Online Streaming Cloud services light and is doing something about it at RoonLabs

 

chosen-logo

 

And Chosen.fm is also trying to get it done right, where right means both music lovers and musicians both win.

 

Inner Fidelity and AudioHead both had blurbs on the CanJam show in South California that was.

 

Kind of slow news for a few days… must be that Spring! is finally rearing it wonderful head…. 🙂

That’s hi-fi for now folks. Good night and have a pleasant tomorrow.

 

EMM Labs: MTRX Amplifier – The Sound of Quiet

EMM Labs: MTRX Amplifier – The Sound of Quiet

We started doing this by accident. Not sure I remember how we starting doing this, in actual fact. But once we did it was fun to do, and to demonstrate to people, because it produced such an amazing effect.

What did we do? With these 750 watt per channel solid-state monsters … I mean amplifiers?

We turned the volume down.

Way down.

So low that people could have a conversation using their ‘quiet voice’.

Well, maybe not quite that quiet. [Not when Neli was around, anyway, given her life-long love affair with that volume control :-). What’s a husband to  do? *sigh* :-)].

So, what was the effect? This amazing effect?

The  effect was that the music was still perfectly legible. It was just quieter.

 

IMG_4014-emmlabs-mtrx-amps

Soundstaging, imaging, separation, timbre, decay, rhythm… the same as when the volume was turned up.

The background noise was THAT quiet.

The ability to control the speakers in the tiniest ways, which we have been posting about many times before when the volume was quite loud, apparently has as a consequence this other, unworldly, strange, Twilight Zone-like unique capability at very low volumes.

This makes the music really accessible at low volumes.

Typically, on other amps, music at low volume is missing a lot of information. So, for these ‘other’ amps,  much of the signal for most of these quiet subtle  notes is so close to zero that the notes start to fade into the amps background noise. Anthropomorphically, these amps are trying to figure out “Is it noise? Or is it a musical note?”

Bass, for example, with the  MTRX, is still there. It starts. It stops.

It even has slam…  it is just miniaturized. Those little bass notes are just a tiny little ‘Pump’, but it is still tightly rendered, with accurate start, stop, and decay.

Reminds me of those model train sets some people build, where everything looks like a real town, just smaller [Well. YMMV :-)].

The MTRX amps are so different from what has passed as ‘solid state amps’ for 50+ years.

We need a new category.

Maybe we could call these ‘Good Amps’. Or the others ‘Performance-challenged Amps’.  😛

Anyway, the point here is that it is really important that an amp be able to control the small details of your music playback when the volume is turned down low, because then most of what you are hearing is small details.

IMG_4016-acapella-atlas-speakers

 

33 days: 3 shows, digital technology is already perfect, standing waves – Audiophiledom March, 25, 2015

Octoberish show month, digital technology is already perfect,  standing waves. Three shows and counting in October / very early November.  Technology confuses yet another person. Understanding our complicated listening environments

Digital technology is already perfect

Another article about how digital is good enough and uses the common incoherent argument that compares the ear’s frequency range to the format that should be used to store, transmit and reconstitute music.

Why DACs Need to Become Like Digital Cameras — and Less Like TVs

These kind of articles should be ignored, people [of course, me linking to it and saying that people should ignore it means y’all will head on over there at the earliest opportunity :-0].

The first time I heard this technology-is-good-enough argument, a variant on it anyway, was in 1985, I think, when PCs with the new Intel 286 chip came out, replacing the standard 8088 chip.

PCs with the 286 were about, literally, a million times slower than PCs today. Or your smartphone. But a friend told me that this speed improvement at the time was ridiculous, “how fast did they think a secretary could type, anyway?”

And the digital camera vs TV thing? Just what the heck is that about? So much link-bait out there, getting kind of wacky doodle.

 

audiofest-2015

 

Shows – Eenie, Meenie, Miney, … I’m sure there must be a Moe

3 major shows in 33 days.

The Rocky Mountain Audio Fest October 2-4, 2015

TAVES in Torotono October 30 – November 1, 2015

You then have the New York Audio Show November 6-8, 2015

Its not like people don’t like shipping gear here, there and everywhere… But the real problem is that these 3 shows are actually good shows, and a person shouldn’t miss either of them if they like going to  shows.

TAVES-Newsletter

Standing Waves

An interesting article on our acoustical environments 

That’s hi-fi for now folks. Good night and have a pleasant tomorrow.