Rock Legends Cruise, DSD Live Streaming, Retro Hi-Fi – Audiophiledom April 5, 2015

Rock Legends Cruise, DSD Live Streaming, Retro Hi-Fi

This sounds like a blast! Rock Legends Cruise IV

This floating rock festival for a cause aboard Royal Caribbean International’s spectacular, Independence of the Seas, departs January 21 – 25, 2016 from Fort Lauderdale, Florida.

Featuring:

Peter FramptonGregg Allman
Grand Funk RailroadAmerica
John Kay & Steppenwolf
The Marshall Tucker Band | Randy Bachman
Ace Frehley | Jaimoe’s Jasssz Band | Uriah Heep
Foghat | The OutlawsRik Emmett
Kim Simmonds & Savoy Brown
The Pat Travers BandThe Artimus Pyle Band
The Devon Allman Band | Matthew Curry
Warrior’s Pride | Gary HoeyDana Fuchs

 

 

dsd-live-streaming

 

Oh, I hope this is the wave of the future. The heck with studio recordings and Recording Labels…

DSD Live Streaming
“In April, this site will stream two live concerts using the latest DSD 5.6 MHz digital audio format, as a proof-of-concept test for DSD online music distribution. These free presentations will be made possible through the kind cooperation of the Spring Festival in Tokyo, which is now in its 11th year, and the world-acclaimed Berliner Philharmoniker.”

Retro ads…

retro vintage modern hi-fi

Retro hi-fi girls…

retro vintage modern hi-fi

I find some of the posts on retro vintage modern hi-fi endlessly comforting. But YMMV.

Tidal Hate, roon and chosen.fm, CanJam SoCal wrapups – Audiophiledom April 2, 2015

Tidal Hate, roon and chosen.fm, CanJam SoCal wrapups

The Press hates TiDaL Streaming Music. They really do. Or they hate Jay-Z. I don’t get it [and no, it is not the press hating rich people – they LOVE rich people. Who do you think buys ads?]

Long detailed list of Hate Press in Computer Audiophile and a summary at AudioStream.

Some of it is people having problem with a subscription service. Mr Lavorgna comments that freemium is dead, but in fact it is growing rampantly, it is just not working out so well for the musicians and journalists yet. When one game can make $200M to $1B+ off of freemium, it is not dead. It is that the music services still suck, they just don’t know it yet.

Maybe Roon or Chosen.fm will fix this:

 

roon-logo

It appears that the core Sooloos team now sees the Online Streaming Cloud services light and is doing something about it at RoonLabs

 

chosen-logo

 

And Chosen.fm is also trying to get it done right, where right means both music lovers and musicians both win.

 

Inner Fidelity and AudioHead both had blurbs on the CanJam show in South California that was.

 

Kind of slow news for a few days… must be that Spring! is finally rearing it wonderful head…. 🙂

That’s hi-fi for now folks. Good night and have a pleasant tomorrow.

 

EMM Labs: MTRX Amplifier – The Sound of Quiet

EMM Labs: MTRX Amplifier – The Sound of Quiet

We started doing this by accident. Not sure I remember how we starting doing this, in actual fact. But once we did it was fun to do, and to demonstrate to people, because it produced such an amazing effect.

What did we do? With these 750 watt per channel solid-state monsters … I mean amplifiers?

We turned the volume down.

Way down.

So low that people could have a conversation using their ‘quiet voice’.

Well, maybe not quite that quiet. [Not when Neli was around, anyway, given her life-long love affair with that volume control :-). What’s a husband to  do? *sigh* :-)].

So, what was the effect? This amazing effect?

The  effect was that the music was still perfectly legible. It was just quieter.

 

IMG_4014-emmlabs-mtrx-amps

Soundstaging, imaging, separation, timbre, decay, rhythm… the same as when the volume was turned up.

The background noise was THAT quiet.

The ability to control the speakers in the tiniest ways, which we have been posting about many times before when the volume was quite loud, apparently has as a consequence this other, unworldly, strange, Twilight Zone-like unique capability at very low volumes.

This makes the music really accessible at low volumes.

Typically, on other amps, music at low volume is missing a lot of information. So, for these ‘other’ amps,  much of the signal for most of these quiet subtle  notes is so close to zero that the notes start to fade into the amps background noise. Anthropomorphically, these amps are trying to figure out “Is it noise? Or is it a musical note?”

Bass, for example, with the  MTRX, is still there. It starts. It stops.

It even has slam…  it is just miniaturized. Those little bass notes are just a tiny little ‘Pump’, but it is still tightly rendered, with accurate start, stop, and decay.

Reminds me of those model train sets some people build, where everything looks like a real town, just smaller [Well. YMMV :-)].

The MTRX amps are so different from what has passed as ‘solid state amps’ for 50+ years.

We need a new category.

Maybe we could call these ‘Good Amps’. Or the others ‘Performance-challenged Amps’.  😛

Anyway, the point here is that it is really important that an amp be able to control the small details of your music playback when the volume is turned down low, because then most of what you are hearing is small details.

IMG_4016-acapella-atlas-speakers