by Michael

Junior Mixibitor fun with Audio Note Kageki

[After this was written, I learned that the 4 ohm taps on the Kageki are located where the 8 ohm taps are on the Kegons. So, stupid story short, the description below is of the Kageki on the 4 ohm outputs. That therefore most likely means that the enhanced bass and decresed resolution had more to do with the using the 4 ohm instead of the 8 ohm outputs than it had to do with the difference between amps – BUT that the difference in emotion and dynamic swell will likely only be MORE different than reported here]

Been a very busy show for us. I am trying to get at least a photo or two of each room – and we are about 90% there. But even with help from our friends, the high amount of interest has kept me in our exhibit room quite a bit.

We did get to play junior Mixibitors this evening. We swapped out Audio Note Kegon amplifiers for the Audio Note Kageki amps next door for a long listen.

The Kageki amps in our RMAF show system
The old high-gain Kageki amps in our RMAF show system

The Kageki are 2A3 tube-based and about 7 to 8 watts in comparision to the 300B tube-based Kegons at 22 watts or so.

The Kageki have slightly richer harmonics and a slight ’tilt’ to the tonal signature in comparison to the more neutral Kegons.

The dynamic ‘swelling’ on the Kageki was more pronouced. The bass was also gripped slightly tighter in the mid-bass, but was not as controlling nor beefy in the lower bass.

Listening to the 2A3 Kageki was a somewhat more emotional experience, with perhaps a slight reduction in resolution as well. I also wonder if the separation on the Kageki was slightly better as well – but this may be because the bass on the active (self powered) Marten Coltrane Supreme loudspeakers was reduced a bit in comparision with the Kegons because we did not have time to dial it in – and the bass in this room is a little problematic, often negatively affecting the overhang and imaging and separation.

The Kageki amps in our RMAF show system

All in all the two amps were quite comparable in my opinion – but definitely different flavors…. So of course we want both! But.. not going to happen any time soon, unfortunately. Reason must prevail… right?

Last I looked the Kegons are at about $50K and the Kageki at $40K.

Anyway, those darn Mixibitors did not get to have ALL the fun this show…. 🙂

in Audio Note / High-end Audio HiFi and Stereo / Reviews / RMAF 2006 / Show Reports 0 comments
 by Michael

Audio Note U.K. M10 3-box Preamplifier

The Coltrane system in listening room #2 with the M10
The Marten Design ‘Coltrane’ loudspeakers, Audio Note Kegon amplifiers, Audio Note M10 preamplifier, Emm Labs CDSD Signature transport and DCC2 Signature DAC, Brinkmann’s Balance turntable, Lamm’s LP2 phono preamplifier.

A closer view of the components on the floor

It kind of spreads out acorss the floor, doesn’t it? Cable length issues dictate that the Meitner CDSD Transport be out front with the Kegons. Then we have the two ‘Galahad’ power supplies in the row behind them. All are on HRS ‘M3’ Isolation Bases. Shunyata power cords and Valhalla cables adorn the floor space between the monoliths.

A closer view of the equipment rack

Another closer view of the equipment rack

We do now seem to have a equal numbered set of both silver faced and black faced equipment. What to do… what to do.

How does it sound? Even though cold? Even with the M10 not broken in?

We haven’t heard the Kegons on this system in a long time, the Meitner for an even longer time. But given what we know about the Kegons and Meitner together – and these speakers – and we know a bit….

This is a big step towards the sound we have been always looking for.. engaing, magical, sophisticaed, natural, dynamic, exciting,,,.

The guitar on Radiohead Amneeeeesiac now sounds like my guitar upstairs. Never noticed that it didn’t sound quite exactly right, tonally, until now.

The soundstage is much more dynamic – like the recording engineer intended it to be – things not only more solid, but moving much more fluidly around while maintaining their solidity, keeping the part of one’s brain, that ancient part that keeps an ‘eye’ on things in one’s immediate neighborhood, which was suspicious before about those solid-sounding singers and instruments that were seemingly invisible, at even fuller attention. [uh, sorry about all the commas in that sentence…kind of a parsing nightmare… but onward…]

And we have two more big steps to go until we get to our RMAF Show system:

1. Putting the Jorma Prime cables on the system…

2. Replacing the Coltranes with the Coltrane Supremes.

Holy ‘How am I supposed to get any work done NOW?’ Batman!

in Audio Note / High-end Audio HiFi and Stereo / HRS / Reviews 0 comments
 by Michael

An (Almost Pure) Audio Note System

Listening room #3
Listening room #3 with Audio Note AN/E SEC Silver Signature loudspeakers, Audio Note high-gain Kegon SET amplifiers, Audio Note M8 preamplifier, Audio Note 4.1x Balanced DAC, Audio Note CDT-Three transport, all on a Acoustic Dreams equipment rack.

First we put in the M8 preamplifier into the system with the Lamm ML1.1 amplifiers. But something was wrong, the timbre was messed up to these ears (Neli didn’t hear anything wrong). Well, I’ve never heard Lamm sound off key, so it was kind of a mystery… until we put the Audio Note Kegon amplifiers into the system in place of the Lamm.

Ahhhhhhh……..

For some reason the M8 and ML1.1 just did not work well together. But with the Kegons….

The one thing that Audio Note does better than anyone else seems to be the reproduction of Music – with a capital ‘M’. There is just something ‘right’ about the sound that is quite unique. More on this when we talk about the M10 preamplifier that arrived today – but I think it has to do with some very subtle cues from the music that other equipment seem to obscure a little – cues like very fine gradiations of harmonics,

Listening room #3

This system, sorry or glad to say, not sure which – sounded WAY better than the Audio Note systems we have heard at shows – both Kondo and U.K. I guess we are just addicted to what vibration control and fat power cords will do for a system – which both of those camps eschew (though Kondo did use some kind of platforms at CES 2006 – they also used a loudspeaker that just…did … not… work).

Our Kegons are the high-gain Kegons. Our Kegons can drive a rock. The newer low-gain Kegons however have more finesse and micro-dynamics, especially on efficient speakers like the Audio Note speakers.

This system actually had too much bass – to keep these amps on here any longer we would have to move the speakers out from the wall, or reposition them in some fashion.

We also used Nordost cables in this system which caused our system to sound leaner in comparison to one cabled with the Audio Note cables, whcih are very rich, and emotional sounding cables.

So, we didn’t get to a 100% pure Audio Note system. But we got a glimpse of what it would be like. We got a glimpse of our future.

Listening room #3
Listening room #3 – The listening couch.

in Audio Note / High-end Audio HiFi and Stereo / Reviews / Showroom 4 0 comments