This Week in Audiophiledom

Anyone else bored by after surfing around trying to find something interesting on the Net?

Me. Too.

Things might appear kind of slow here too, the way we have been having to stage the introduction of new equipment into the systems in order to facilitate a number of shootouts we really, really wanted to hold – so that we can really, really understand what the advantages and disadvantages are of one thing compared to another.

But between shootouts… we are largely just playing music and holding auditions.

So… we will try something new. I wanted to do this for awhile – it is kind of like reviewing the reviewer’s reviews – but wider in scope.

And that is to post news items about what is happening on the Net. Not ‘Musical Fidelity releases version 124.1 of their 206 watt amp’, but rather ‘Fremer reports on failings of Grand Prix Monaco Equipment Racks at Audiogon’ kind of news [I messed this thread myself – but I *heard* all about it.].

And it would help if some of you helped out by posting comments to these News Posts about threads and news about the goin’s on out there.

To start… we will have a little catching up to do.

At CES, Positive Feedback’s Danny Kaey teamed up with Josh to help restart and grow the SonicFlare online magazine. Lately he has been popping out reviews left and right, which, interestingly, are simulcast on Postive Feedback as well.

Audio Circle continues to have an impact, at least on some of our local audiophiles here, larger than their modest membership would indicate. Mostly this means people cycling through Red Wine, Omega, some lower-end PC audio gear, etc. Some ModWright-modded equipment too, but not so much the ModWright-branded equipment. Similarly equipment like Odyssey is left out – seemingly in response to the ever-hopeful search for champagne on a beer budget…. thereby leaving some damn good beer on the shelves while drinking some champagne that might be mislabeled.

SixMoons continues to hang in there – though it is mostly Srajan doing reviews these days. I have no idea why more people aren’t doing reviews for 6moons – and why the number of advertisers keeps fluctuating so much. For those of you who don’t know, Sixmoons has the best online news stream, although to appears to be published only once a month, about the releases of new high-end audio products.

Otherwise, flame wars on Audio Asylum, threads disappearing on Audiogon, Stereophile getting smaller, TAS and HiFi+ slowly losing their edge, the 20,000+ AVSForum is the only high-end forum but still, somehow, largely content free… [except for outing the rumor that there is a new super-Meitner player due to arrive in the 2009 time frame :-)].

… yada yada yada… same ole same ole.

Let’s see, Globe Audio Marketing and Brinkmann North America have announced that they are bring back Avantgarde Acoustic to the North American continent. This line was previously so mismanaged that it kind of killed the line here for several years. It is of my opinion that European manufacturers just do not understand that some American distributors are just out for a ‘quick buck’. The concept seems to escape them.

Well, it looks like Avantgarde is now going with some reputable organizations and, as much as we think there are problems with their speakers, they are starting to look awfully good compared to the … stuff… that has been flooding the market these last few years. This was something I was going to talk about in the show report as well – that there is a natural percolation up towards the Best of Breed for some brands who just hang in there as every Tom, Dick and Harry puts out yet another new under-performing $40K speaker.

Anyone who knows of anything else, anything else at all, please post about it in the comments section.

EMM Labs CDSA and CDSD Upgrades

Our CDSA just got back, a few days ago now as we let it warm up and start breaking in… again, from getting the latest upgrade offered by EMM Labs.

The upgrade consists of a new German transport, new machined feet for the chassis, and a new bezel on the transport door. The upgrade retails for $1500 and is available only for CDSA’s and CDSD’s made in the last year or two. The CDSA is now shipped only with the upgrade and now costs $11,500 USD. The CDSD SE similarly goes up to $9,900 USD [these are only two in a raft of price increases we are receiving from most manufacturers].


This is the current setup with the upgraded CDSA SE. It is actually sitting on tall HRS Nimbus Couplers, not the new machined feet, and for lack of an extra platform, on the carpet there. That is a Nordost Brahma power cord on the CDSA and Elrod on the Audio Note Ongaku. Along with Stealth INDRA interconnects and Nordost ODIN speaker cable this is a darn simple system. We like these three piece systems [Kharma Mini Exquisites as the 3rd piece in this case].

They are so, simple. They sound good. They don’t cost a lot in interconnects and equipment racks and are visually appealing.


The name tag remains the same.


The bezel looks slightly different?


The machined feet are significantly more robust, wider and heavier looking.


Now a bunch of photos of the new transport. Much more robust feeling and looking.


A lot more metal and less plastic.


I have no idea what the 6, 9 is doing on the Dire Strait’s Brothers in Arms CD – or even whether it is something Neli wrote or is on all CDs.

How does it sound? Well cold, out of the box, it sounded pretty good – but it has been a few weeks without our CDSA now and we missed it dearly – so I think the old model would have sounded pretty good at this point.

But we will do a better job as it is now warmed up and has 24 – 48 hours on it. A few more days…

And hopefully we can rescue more equipment from all the other shootouts we are running here simultaneously.

We got the:

* New Elrod power cord versus new Elrod power cord with a week or two on the Nordost Vidar cable burner test running.

* We got the Walker Proscenium Gold Signature versus the Audio Note TT3 Reference turntable shootout always running

* We got the Lamm LP2 photo stage versus the one in the Audio Note M1 preamplifier [Yes, I know which one is probably going to win, Neli, but I want to hear HOW it wins :-)].

* We still have the rerun of the recent interconnect shootout but not as digital cables, not as tonearm cables, but as honest ordinary interconnects

* We want to do a shootout between the Kharma and Audio Note SEC Signature speakers [yes, I know they are very different, but the new completely upgraded AN speakers should compete in the basic areas of frequency extension and overall resolution, trading efficiency and dynamics for upper midrange uber resolution – but I want to hear that they do].

* And then there is the new Audio Note Kegon Balanced versus the Ongaku versus the older high-gain Kegons.

And we will most likely have an older 6 month old or so CDSA here to do a shootout against the upgraded CDSA quite soon.

And the real problem is many of these have to run on one of the two major systems [and we like to be somewhat familiar with the sound of the system in a large sense to do the shootout in order to have a slightly higher level of confidence in our findings – so we can’t do too many changes, too fast] -and so we got a complex traffic jam on component substitutions planned that we really could use an advanced project scheduling tool to manage – if we didn’t hate these tools so much [long story, to do with idiot managers… need we say more? :-)].

Welcome to our new readers …

… from: China, Hungary, Malaysia, Slovenia, Serbia and Montenegro, Belgium, Singapore [Hi guys!], and….. Croatia [Hi hrky! We should get to that shootout this weekend].

And of course the U.S. of A. and Canada [Hi Canada!]. Where would we be without them? Living somewhere else, I guess.

We know some of you better than others, whether because we see you at shows or you or your friends have the same equipment as we do, or just… because. You know, we audiophile nuts got to stick together in this big fishbowl we call the world [badly paraphrasing Roy Buchanan’s The Messiah Will Come Again – he can do the best ‘crying’ guitar ever].

But we appreciate ALL of you stopping by our little [or not so little] website and if you have any ideas about what shootouts we should do next, or subjects we should explore, just drop us a line, send an email, or post a comment here in the blog [no registration required. You just have to indicate that you are a human and not a spam robot].

Anyway, once again. Welcome!