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November 21, 2005 by Michael

THE AUDIO AERO PRESTIGE VRS THE AUDIO AERO CAPITOLE

The Prestige is better sounding than the Capitole.

What a relief.

You know, we really like the Capitole (especially me). So much of the competition that is supposed to be ‘better’ sound like a lot of digititus to me: heavy on the detail, light on the music.

But the Prestige had sounded pretty darn good at CES… but that was over a year and a half ago. And there had been rumours that they had made some changes since then…

But, no, all is OK. This thing really sounds pretty good.

In comparison with the Capitole:

A tighter denser soundfield. More solidity. More coherence. More transparency. More real.

More detail but NOT at the expense of the music.

More midi and micro-dynamics. About the same macro-dynamics – which has always been one of the premiere features of the Capitole.

Warmth is about the same, … well, maybe a little less. Still has that analog-like romantic tinge to it.

Tighter in the bass. Much. Much more detail. Which is a good thing… and it was one of the few weaknesses of the Capitole that its bass did not have enough detail for some people, but….Actually I am hoping and anticipating that the bass loosens up a little more over time (the Capitole took awhile too, about 6 weeks or so). Just a little. There is this balance – between detail and control in the bass yet a natural looseness that makes it all sound real – can’t describe it, but you know it when you hear it (the Audio Note U.K. Kegons amplifiers got it in spades).

Just one compaint.

Why do all these SACD players have to be so SLOW? Yes, they have to scan the disc dozens of times to determine which kind of redbook format the CD is recorded in, and then to determine if it is also an SACD. But, geez.

No, it is only marginally slower than the Meitner. And not as bad as the Sony SCD-1 as I remember it. So it is not unusually slow. What IS unusual is for the person putting in the CD (for exmaple, me!) to be of the patient, I’ve got 5 to 10 seconds to spare, variety of audiophile.

So, ***drum roll please*** …

Presenting the New World Champion of the Single Box Players (and it even plays SACD)….. The Audio Aero Prestige.

I like it.

November 12, 2005 by Michael

AUDIO AERO PRESTIGE OCCUPIES OLD CAPITOLE LOCATION

As we mentioned last time, we decided to move the Audio Aero Prestige CD/SACD Player downstairs and put it on the Sound Lab U1 system in place of the Audio Aero Capitole.

The equipment rack with the Prestige on the bottom shelf (hey, at least this one is a front-loader) topped by the Brinkmann Balance and Walker Proscenium Gold turntables. We run the turntables through the linestage built into the Prestige (and previously the Audio Aero Capitole).

A closeup of the Prestige with HRS damping plate on top.

Underneath the Prestige, with HRS triple-tall Nimbus feet – notive the black diamond racing cones are still attached.

The new solid metal, heavy weight, remote control for the Prestige.

A close up of the remote control.

A close up of the remote control logo.

Next… sonics. Hint, its a across the board improvement compared to the Capitole, and this from an avowed Capitole lover, me.

November 7, 2005 by Michael

THE AUDIO AERO PRESTIGE vrs. THE EMMLABS/MEITNER CDSD/DCC2

With the caveat that the Meitner is 50% more expensive than the Prestige, we will try to provide some illumination on our impressions of the differences and similarities of these two CD/SACD players… both with built-in linestages.

The Prestige is still not quite broken in but it does have about 600 hours on it – and the Meitner CDSD tranport has an upgrade which we have not had here yet. But I think we can say something about their relative sonic attributes.

In comparison with the Meitner the Prestige has about the same soundstaging and imaging capabilities, though perhaps a little higher noise floor and a little less detail – as one might expect from a tube output stage – lending to a little bit of fog between the musicians in the sound field.

In some sense the Prestige is more enjoyable to listen to, presenting the music with an enthusiastic and optimistic attitude, with a slight exaggeration of various tonalities lending it an ‘analog warmth’. This seems to me to be much more so than the Capitole, which had an ‘analog-like’, somewhat accentuated, macro dynamic attack but not so much of the wonderful micro-dynamic attack and inner warmth of the Prestige… at least that’s what I am hearing, anyway.

The way I think of it is that the Prestige sounds like the way music sounds after a half (YMMV) glass of wine. The Meitner sounds like the music does when stone-cold sober.

The Meitner sounds real, like it really sounded like in the studio. It is a wayback machine with frequently astonishing capabilities – like having the awesome privilege of having a special ticket to attend, in person, the recording sessions of your favorite music.

And for those who have not heard the Meitner and hear something completely different than what I hear when listening to live sound, whether in a studio or elsewhere – this is not the overly etched, harsh, in-your-face dante-reality of the accuracy-must-mean-extreme-exaggeration-of-treble-attack-and-decay-so-it-sounds-like-delta-function-hell situation here. This is the ‘you are there, believe it or not, this is what the musicians cum studio engineer actually sounded like’ show.

The Prestige sounds like music, like the way music is supposed to sound. Enjoyable, a smile and toe-tapping required (in this toe-tapper sense I felt it was better than the Meitner – but we have yet to try the HRS Nimbus trick on the DCC2, so stay tuned), beautiful with all the detail and coherency and clarity that our minds want, along with all the juice that our hearts want.

So, really, it is up to each of us to choose our poison, or, actually, to choose our preferred elixir.

Next: The Audio Aero Prestige vrs the Audio Aero Capitole.

Party on, Garth!

in Audio Aero / Emm Labs / High-end Audio HiFi and Stereo 0 comments

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