What we're playing with this week

We’ve been spending most of our time downstairs.


We set up the Audio Note TT3 Reference turntable next to the Walker Proscenium Gold Signature turntable.


It has been back-and-forth, Walker –> TT3 –> Walker –> TT3 ….. both through the Lamm LP2 phono stage into the Ongaku integrated amp and the Kharma Mini Exquisite loudspeakers.


How do they compare, you may ask? In raw terms, the Walker is an audiophile’s dream come true and the TT3 is a music lover’s dream come true. Since we are music loving audiophiles, we can’t really talk about one being the ‘winner’. The TT3 is more dynamic, more lively, more engaging… more youthful. The Walker has a lower noise floor, is more accurate top-to-bottom, a more mature sound.

In fact, the idea would be for us to make them sound a lot more alike [which we have to some extent already] – to get a more musical cartridge for the Walker [we are using the Blue Magic Diamond – not so bad obviously, but there are better, unfortunately more expensive ones out there that are generally considered better]. And conversely, to dress up the TT3 with a rack with more vibration control, to correspond to the Walker’s air suspensions [even though the RixRax with HRS platforms comes close, HRS’s MXR rack still laughs at this setup].


Upstairs we still have the EDGE amps on the Coltrane Supreme loudspeakers, with the Lamm ML2.1 amps waiting for us to get our act together and replace the EDGE.


We have our new HRS SXR 3-shelf rack next to our HRS MXR 4-shelf rack.


Look at all that black!


Neli cleaned everything up, but this is two days later and already some Rocky Mountain dust has found its home on our stuff again.


We’ve appropriated some platforms / shelves for our playtime downstairs.


The Brinkmann Balance turntable.

Right now, we only have one phono stage, which the TT3 and Walker share. Even after our Audio Note M9 Phono arrives, we will only have two phono stages. But we have THREE turntables [well, four, but the little TT2 uses the little Audio Note Oto integrated’s phono stage].

We also do not have rack space for digital on the RixRax equipment rack in listening room 2.

What this means is that our Walker is up for sale on Audiogon [Neli is still glaring at me, because this was really my decision]. If anyone is interested…. be sure to think it over… it is not like they appear on Audiogon everyday [in fact, almost never. And for a good reason].

Next : Audio Note SOGON interconnect versus Audio Note SOOTTO interconnect versus Audio Note PALLAS interconnect. And a CES 2008 retrospective.

Walker Wash

Well, it is probably not called ‘Walker Wash’. Actually, it is definitely not called that.

But this post is about the Walker LP Cleaning Process Process Process Process.

It is officially, the Prelude Record Cleaning System.

The short and sweet is: It is a four (4) pass process. I hate that it is so labor intensive. I will personally hardly ever spend the time doing it. It works better than other, more commonly practiced processes. It opens a new world of music enjoyment for formerly unlistenable / unnatural sounding music genres.

It comes in some nicely labeled bottles. And I know one has purified water of some sort. Blah Blah Blah.


Neli uses 3 different brushes, all labeled according to their purpose in life.

Look, I did not clean the records. They had already been cleaned carefully by others. And then the Walker Solution was applied by Neli and Kevin. I just got to hang around and listen to several before and after results.

The results?

It made a previously, well – you know those kinds of jazz fusion bands that sounds like a cacophony of instruments slightly out of tune? Not exactly penetrable if you know what I mean. Cleaning with the Walker stuff made it sound like maybe the musicians did, after all, have some kind of plan in mind, perhaps even were accomplishing what they had planned. It was now possible to hear and follow the various, the SEVERAL various, melodies all happening at the same time, intertwining and playing off of each other.

It still wasn’t going to make the top 40 pop charts – but given that its purpose was more to be playful and complex and subtle and a little disturbing… it actually worked.

But before cleaning it with the Walker stuff, it was, uh, garbage? Can I say that? You know, Noise. I always thought that some bands just put out pure noise because, well, boys aren’t that particular sometimes, right? We just want to bang on cans and garbage-can lids and whatever…

Well, now, *dammit*, a lot of this really quite innovative and provocative music might just need an LP and 4 passes of cleaning on the Loricraft with the Walker cleaning fluids.

Whether spending the time to apply 4-passes with other cleaning solutions would also work this well, I don’t know.

Even if other solutions did work as well, it would still make this nirvana of uber-sounding LPs almost inaccessible to me, because, well, it is just so unlikely that I am going to spend the time doing all this cleaning. I mean, hello? How many years do we get? And I am going to spend them cleaning LPs?

But… well, just maybe, MAYBE, I’ll Walker the new Radiohead LPs I am getting for Christmas.

… and maybe DSOTM. … and Amnesiac.

Happy Holidays Everyone!

Valhalla power cords on ODIN-cabled system

We just put the Valhalla power cables on the equipment: Audio Note Ongaku integrated amp and DAC 4.1x Balanced DAC and CDTThree transport.

Still evaluating. The equipment was off for several hours, so our listening must continue… but, so far, on some tracks the performance was improved and on some, not. Pretty much like any top-notch power cord.

So far we’ve tried Shunyata and now Valhalla. Elrod is next, and then Acrolink.

But can’t help but think what Odin power cords are going to sound like. And how much they are going to cost… *whine*.

This testing of the Odin with different power cords, then different components, will be necessary, I think, to get a feel for the overall performance curve of the Odin.

But, as a sneak preview, it is my impression that the Odin interconnect is the bargain [I know, I’ve gone from $7K bargain Jorma Prime interconnect to $16K Odin interconnects… but…] For some reason interconnects, perhaps because they carry the most delicate part of the signal chain, seem to have the most impact.

And the Odin interconnect is in the spirit of Ultimate harmonic detail, perfection and cleanliness personified. The Odin speaker cable is all about ease, dynamics and the darkest blackest background you can imagine personified.

It is strange… people who did not like Valhalla are going to LOVE the Odin speaker cable, I think.

And everyone is going to love the interconnect.

I guess, in a nutshell, not much to complain about 🙂

It is hard to capture in a photo, but the Valhalla power cords, they, uh, don’t behave. They go this-a-way and that-a-way.

And with the white carpet and silver cables, it is actually kind of attractive to look at during the listening.

Kind of looks like a madman’s roller coaster 🙂

….

Hope everybody is setup for a nice Holiday!