Comparing and Contrasting Digital at Audio Federation

In this post, we will not talk about sonic characteristcs, per se, but just the differences in functionality of the higher-end players we currently have available.

Just by itself, the difference in what these players do, and their basic approach to sound, is enough to differentiate them – enough to help many people choose which one they are most likely interested in.

*** Audio Note U.K. DAC / Transport combinations. $[varies]

Tube. If you want a musical, very customizable sound (through tube-rolling), do not need another preamp, do not want to run your PC or video system into the DAC. , and have space for a two component player.

*** Audio Aero Capitole Reference CD player with linestage: $9,580.00.

Tube. If you want a very musical yet unveiled sound, need a good linestage, and do not care about SACD.

*** EMM Labs CDSA CD / SACD player $9,995.00

Solid-state. If you want a very pure yet musical sound, want SACD, do not need another preamp, do not want to run your PC or video system into the DAC, and/or only have rack space for one component.

*** Audio Aero Prestige CD /SACD player with linestage: $12,990.00.

Tube. If you want a very musical, detailed and solid sound, want SACD, need a good linestage, need a front loading CD player and/or only have rack space for one component.

*** EMM Labs CDSD SE and DCC2 SE: $21,900.00

Solid-state. If you want a very pure yet musical sound, want SACD, need a good line-stage, and/or want to run your PC or video system into the DAC, and have space for a two component player.

*** Audio Note U.K. CDT3 and DAC 4.1x Balanced: $22,600.00

Tube. If you want lots of detail with each note rendered in an analog-like fashion, do not need a preamp, and have space for a two component player.

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A FEW THINGS

First, these really are some of the, if not THE, best digital today.

Second, the built-in preamp are really quite good. Not spectacular, but really, REALLY good for the price paid.

Third, given your current system, and where you want to take it, you probably have a good idea about going for a tube versus a solid-state solution. The solid-state here is very, very good, very un-solid-state-like, but it will not ‘add musicality’, but neither will it take away musicality [unlike most other solid-state digital]. . It just ‘is’.

Fourth, given a budget, it may be best to allocate a larger portion of the overall budget to a player with a built-in pre, rather than get both a lesser CD player and a separate pre. Not only from a potential shelf space (and extra power cord and cable!) issue, but because it will be find to find a preamp that does what THESE built-in preamps do for anywhere near the money.

Audio Note is coming out with several single-box players, so this will make some choices harder. But for people on a budget, who have a system that they want to keep most of, who know whether or not they like their current preamp, have a preference for a specific-sound, who have limited rack space, the choosing process is really going to be very similar to the list above.

Amplifier Shootout – Audio Note vrs. Lamm vrs. Audio Aero vrs. Audio Note

We held a shootout here a few days ago – $85K Audio Note Ongaku versus $22K Lamm ML1.1 versus $10K Audio Aero Capitole versus $9K Audio Note Conquest Silver. Prices rounded, so don’t quote me to Neli :-).

The Audio Aero Prestige as serving as CD / SACD player, and sometimes as linestage as well. The Audio Note AN/E Signature loudspekaers were serving as… speakers.

So, with the disparity in pricing – it wasn’t really a shootout. More an investigation into different sounds – how the different amps sounded, given that they are indeed so very different from each other.


We finished up with the Audio Note Conquest Silver 300B amps.

We will try to describe the *differences* between the sounds, as opposed to the sounds themselves.

Going from the Audio Note U.K. Ongaku to the Lamm ML1.1.


The Ongaku and ML1.1 amps resting behind the couch after their workout during the shootout.

The sound was not as big with the Lamm, somewhat more compressed – but perhaps more even-handed because the somewhat rolled-off deep bass [which lends the deep bass a compression-like signature], because of where the speakers were located [in front of the horns, which are out of here as soon as the snow melts. If it melts.].

The Lamm sound was more laid back, the soundstage receeding somewhat, which allows one to better appreciate the music in measured doses when desired, as opposed to being transfixed unable to move for whole CDs at a time [from this description I hope people see that we like both types of soundstaging – really depends on our mood at the time].

The Lamm harmonic color was a little grayer, and the dynamics, as mentioned above, a little less exuberant. This goes in keeping with our general interpretation of the Lamm sound as being stately and sophisticated, natural and self-consistant.

This is not to say that the Ongaku is an exuberant amp either – it is actually quite balanced, unexpectedly so from my point of view, with just a little flavor from the use of the 211 tube. We still have a lot to learn about Audio Note, but it is my current impression that as you move up in the Audio Note line, things become less colored and more accurate and therefore much more revealing of the color and subtleties of the music itself, quite unlike anything else out there. This seems different to me from the brands that, as you go up their line, you get more and more improved versions of their ‘house sound’. ‘Course, you can always tube roll the amp and get just about any sound you want – but I think the point has been made.

Going from the Lamm ML1.1 to the Audio Aero Captitole amp

The Capitole was sweet in comparison with the ML1.1. More euphonic, rounder, less resolution and transparency. For some reason, about half of the people we talk to these days are conscously steering away from high-resolution sound – so this amp, with ‘just enough’ resolution, should really be on everyone’s short list. No one really knows about it, but, especially teemed with the Capitole or Prestige CD player, you can get a really wonderful, Enjoyable and slightly Sweet, sound.

Going from the Audio Aero Capitole amp to the Audio Note Conquest Silver amps


The Audio Note Conquest Silver amps in play. The Audio Aero Capitole amp behind, resting.

Easiest to compare these to the Ongaku.

Less density. By which we mean less resolution, less micro-dynamics, less macro-dynamics, less color. Just less going on. But at the same time, note by note, it was the same: the notes were where they were supposed to be, the rose and fell like they are supposed to, they were just a little thinner sounding. OK, a lot thinner sounding.

Thinner sounding isn’t exactly ‘bad’, though, There is a lightness to the music, very similar to the experience of the $11K Kharma 3.1c versus the $45K Kharma Mini Exquisite, which I think is largely a psychological, not electro-mechanical, experience that is quite pleasant and refreshing. That sometimes a ‘lighter fare’ is as enjoyable, to a listener, as the full-featured experience.

Kind of like comparing the Simpsons [the old shows which had content] with a James Bond movie. One can enjoy both. But one generally prefers, and will actually pay more money for, the Bond movie.

Well, depends on the particular Bond movie 🙂

Globe Audio Marketing and Brinkmann North America at CES

A Very Special CES Invitation

Globe Audio Marketing and Brinkmann North America cordially invite you to a very special presentation during the Las Vegas Consumer Electronics Show 8-11 January 2007.

This invitation only demonstration will take place in a private estate with an audio listening room similar in scope and size to what might be found in a normal listening environment. Comprising a WLM active loudspeaker system, Audio Aero Capitole CD player and the Brinkmann Audio Balance and LaGrange turntables, the Brinkmann 10.5 and 12.0 tone arms, the Brinkmann/EMT Titanium phono cartridge, the Brinkmann Mono amplifiers and Marconi line stage and the world debut of the Brinkmann Edison vacuum tube driven phono stage, as well as the Breuer Dynamic tone arm and Nirvana Audio cables. Demonstrations will take place in the afternoon and evening hours during the CES Show and will include a light dinner and product discussion.

This demonstration is in addition to the exhibition at Consumer Electronics Show in the Venetian Resort Hotel Casino suite 29-320 where the WLM loudspeakers Diva, Audio Aero Capitole CD player, a Brinkmann LaGrange turntable, Brinkmann 12.0 tone arm, the Breuer Dynamic tone arm and the North American debut of the RCM Bonasus vacuum tube integrated amplifier will be shown.

Contact Information:

Jody Hickson, Globe Audio Marketing
Email: info@globeaudiomkt.com

Lawrence Blair, Brinkmann North America
Email: information@brinkmann-usa.com