We keep moving things around but…

… here is how they look, well, how they looked a couplea days ago, anyway.


The Lamm ML2.1 are still driving the Marten Coltrane Supremes loudspeakers. That is Nordost ODIN interconnect connecting the amps to the Marten crossover box. We have the Jorma Design PRIME speaker cables on the main towers, and a bi-wire [i.e. double run] of Jorma Design No. 1 speaker cables on the bass towers. The bi-wire run sounds much beefier than the single wire run on the bass towers.


The rack : HRS MXR on the right and SXR on the left. Lots of good good black things here. The Nordost THOR power distributor being the silver outlier [oh, and the Meitner CDSA. That’s what I get for not looking at the photo while I type] ๐Ÿ™


We put the Nordost ODIN on the back of the Brinkmann Balance turntable, connecting it to the Lamm LP2 Deluxe phono stage. In a quick test of the Audio Note PALLAS cables in place of the ODIN – the musicality was very ‘right’ and the soundstaging was more evenly laid out, I thought, but the uber-resolution and detail [I have a hard time writing about details without clarification after that last post :-)] and uber separation of the ODIN was really awesome. Neil Young sounded edgy AND emotional AND listenable – and if you are a Neil fan [we we are] you know this is the promised land.

That said, at 1/4 the price, the PALLAS is a contender with the big boys hangin’ out in the $10K+ category and these need to be heard if your cables play in these leagues. Good deals in this business don’t stay around for long….


After some optimization, we ended up with a real potpourri of power cords. We got the big ELROD supplying power to the THOR. This really opened up the soundstage and at the same time made the sound more forward [in a good way] and immediate.

Then we have the old Acrolink 7..N.. something [how are we supposed to remember all of these numbers? Kind of like the Acura cars these days. Anybody remember the Legend? That was a name I could remember] running into the Lamm L2 Reference line stage power supply. This added a level of refinement that was juuuuust right.

Let’s see, we have the Valhalla power cord on the Lamm LP2 phono stage and the smaller ELROD on the Emmlabs CDSA. I forget how we got to these and what they contributed. Something good no doubt ๐Ÿ™‚


Downstairs we have the Kharma Mini Exquisite speakers on the Edge, driven by the Audio Aero Prestige CD/SACD player using Nordost ODIN speaker cables and the Audio Note system at the other end of the room [that was yesterday. Today we moved the Kharma back to the other side of the room for an audition because we are still playing too much with the AN speaker placement in this here non-symmetric octagonal room. Actually we are still struggling with the Kharmas placement too ๐Ÿ™‚ We have just been struggling longer with the Kharmas and are more confident that we are much nearer perfection].


These are our Audio Note SEC Signature speakers on the Audio Note Kegon Balanced amps and Sogon speaker cable.


We still have our little AN M1 Phono preamp in the loop – so sounds are a little muted, and we can’t use balanced cables to the Kegons… but it sounds pretty good and in some ways nothing here sounds better. But… lots of work to do on this system p the upstairs system has been scarfing up all the good power cords and cables and vibration control too, the stingy thing :-)].


Always one system looks like we are snubbing it… but, hey, we got to face one way or the other – so we will always be treating one of the systems with No Respect… I think all of our systems have a Rodney Dangerfield attitude sometimes….


Closeup of the Edge / Audio Areo.


Finally the smaller system. The system that it is just fun to sit and listen to. We slipped in some SOGON interconnects (about $3K on a system that is about a $15K system) and it sure makes it easy to just hang out and chat. Sometimes we forget that we can chat in the other rooms too ๐Ÿ™‚

System Two now has two racks

… and system Three has none.

Both RixRax equipment racks are now over on the second system. We wanted the added capability to compare two turntables, two phono stages, and the Audio Note Ongaku to the Kegon Balanced to the Kegon.


We put the Kehon Balanced amps on the Kharma Mini Exquisites.


The tops have been off so we can stare at the internal electronics for awhile ๐Ÿ™‚ But the tops will be back on soon enough… 1) they take up a lot of room just laying around, 2) the safest place for the tops of the chassis is on the chassis, and 3) just to get the aesthetic effect of a system that does not have exposed tubes.


Since our Audio Note M9 Phono preamp is still to arrive, we are using the Audio Note M1 phono preamplifier to drive the Kegon Balanced. We also had the M1 on the Ongaku integrated for awhile, to get a feel for the sound of the M1 in the system that we are so very familiar with.

The M1 is a very nice pre and I, personally, want to keep it here forever. At the price it sells for on Audiogon sometimes, $700, it sounds more like a $5K to 10K pre – and it always surprises me.

All the low-end AN gear surprises me – I keep expecting a more discordant and harsh sound – like the low end of every other line of equipment. But nooooo, this has more harmonics and warmth than the top-of-the-line, which is more neutral and detailed and transparent and realistic.


The end of the rack is now ALFULLY close to the speaker. But we figure the trade-off is worth it – that we can configure some great sounding systems that we wouldn’t otherwise be able to hear.


The Audio Note Kegon Balanced on the Kharma loudspeakers.


The Audio Note Kegon Balanced. On first blush, the M1 pre + Kegon Balanced amps is very, very competitive with the Ongaku integrated amp.

I would say more neutral [OK, nothing has that 211 sound except 211-based tube amps and the Kegons are 300B-based amps] and more transparent – more separation …and solidity?

We’re still listening…


The Soundlab system without a rack looks pretty darn cool itself. The Audio Aero Prestige is sitting on a Rix Rax amp stand.


Yes, that is a Nordost ODIN between the Prestige and Edge Signature One amps.


The Ongaku is now in System Four in Listening Room Three (L3). We haven’t hooked it up yet – this is still a AN Oto integrated-driven system.

Leap Day 2008

Just an update as we finally, for the first time since the lightning strike, have all 4 systems powered up at the same time. A little worrisome… but it is a good feeling.


The main system, with Lamm ML2 amplifiers, Nordost ODIN and Jorma Design Prime and ELROD doing the cabling


Digital for the front end, Audio Note and Lamm.

The Brinkmann Balance turntable is not hooked up, no phono preamp and no shelves, we purloined them for a system downstairs for a bit.


The Kharma system with the Audio Note Ongaku integrated and EMM Labs CDSA SE Upgraded.


The Walker Proscenium Gold Signature turntable – also for sale up on Audiogon. The Audio Note TT3 Reference turntable and Lamm LP2 phono preamplifier.


The Soundlab system driven by the EDGE Signature One amps and Audio Aero Prestige CD/SACD player with linestage.


The little Audio Note system with OTO integrated amp.