The Worl'd Gone Topsy Turvy or…

or “Round ’em up, Head ’em out”

or “We’re just going to pieces”

or “Break in Two Systems, Two Systems, Two Systems in one”

Breaking in Sound Lab Ultimate loudspeakers and Audio Note M10 preamplifier together
Breaking in Sound Lab Ultimate loudspeakers and Audio Note M10 preamplifier together – using the EDGE Signature One amps and Audio Aero Capitole CD player driving them over on the floor to the right [Oh, you can’t see it in this picture, but you can see the Nordost Valhalla interconnects snaking across the floor there].

This is all just a temporary setup. We are breaking in each notch on the M10 volume control. We got up to ‘5’ yesterday, but that was driving the little Kegons pretty hard – and the Coltranes were getting pretty loud.

But over here, on the still somewhat inefficient Sound Lab speakers – with a solid state amp… we are doing ‘6’ today and will do notch ‘7’ tomorrow. That ‘should’ be enough, the Marten Coltrane Supremes (which made it through customs, yay!) are much more efficient than even the Coltranes, so notch ‘7’ should be plenty loud enough for the show…?

Every time we up the volume a notch, the M10 sound is bright and annoying for several hours and the pre lets off another waft of New Electronic Component Smell [Yummmmmm. Is this the only reason we buy TVs and computers and $50K preamps, to be able to experience this smell? Nahhhhhh].

This M10 + Sound Lab speaker-centered system sounds surprisingly good. The Sound Labs really like upstream equipment that errs on the warm side (as opposed to the more icey Parasound or Pass Labs soild-state amps, the former is usually shown witht eh SoundLabs at CES and the latter is to be at this RMAF show in the IsoMike room), and even warmish cables help – like the Pranawire Cosmos speaker cables.

The latest Sound Lab upgrade did seem to tighten the bass quite a bit and increase the midrange dynamics as well – adding perhaps 3dB? of efficiency. Still breaking in, but I noticed that the unfamiliar bluring of images in the soundstage that I heard when we first starting playing the SoundLabs after their upgrade has almost completely gone away.

The old Marten Coltrane system, going to pieces.
The old Marten Coltrane system, going to pieces Time to box up most of this system, and move the Marten Design Coltrane loudspeakers to listening room 3. The Sound Labs are going to go over here, next, after the show – and how we get around them when we go up and down the steps is still to be determined.

The current state of listening room 3
The current state of listening room 3. Most of the system proper is going to the show, including the Acoustic Dreams rack.

We want to put the Marten Coltranes in here after the show – but they sound best with the Lamm ML2.1 amps and the HRS MXR rack. But the Kharma Mini Exquisites sound best with the EDGE amps… it will be hard to build a system that is optimized for two different speakers like this… not to mention the Acoustic Zen Adagio speakers.

And then there is the HRS MXR equipment rack problem, or rather lack of problem: we want a double wide on the Coltrane Supreme speaker system in listening room #2,and another one upstairs so we can play a turntable in listening room #1 (it is the only thing that will work on our very bouncy floor) – but we currently only have one rack….

So little time (and money) and such a long Wish List.

Audio Note M10 preamplifier

We put the Audio Note M10 preamplifier on the main system upstairs today. Things were kind of in a mess after a recent audition, anyway… 🙂 so we took it as an impetus to see what a Meitner front end driving the Audio Note M10 preamplifier itself driving an Audio Note Kegon amplifier would sound like.

Main system with Acapella Triolon Excalibur, Meitner, Audio Note M10 and Kegons on HRS and Acoustic Dreams platforms
[By the way, that white stuff outside, that is a couple of inches of hail. Yes, it is indeed June 24th.]

I mean, instead of using the Meitner DCC2 DAC built-in preamplifier, which can only but be about $5K of the cost of the DAC, we put a $50K preamplifier in the system with its brother $50K amplifier.

How do you think it is going to sound?

Neli is planning on writing a nasty letter to Peter Q. of Audio Note for letting us ever audition the M10. 🙂

Main system with Acapella Triolon Excalibur, Meitner, Audio Note M10 and Kegons on HRS and Acoustic Dreams platforms

We did most of our listening after the unit being on for only 5 minutes, It has now been 3 hours or so.

There are some audiophile-approved attributes that got a big jump up in quality: harmonics, bass, room pressurization, continuousness, imaging, solidity….

But, people, this is not about me devolving, dehumanizing, detaching the sound into its constituent parts.

OK, Janis’s Rachmaninov on SACD is playing – and I am trying to write this during the breaks between pieces because it is too hard to concentrate when the music is playing down the hall outside my office in the livingroom.

For many people, of a certain age and certain life experiences, music and the pursuit of the reproduction thereof, is an attempt to not only experience the music of our youth, but to recapture the feelings and sense of wonder and appreciation of the beauty that life offers us – but which the years and a well-nourished cynicism distances us from; slowly, inexorably, until life sometimes seems like a cold, boring, cruel joke.

But for a few minutes, or hours if the system is very, very good, and most of the time if the system is this good, our defenses are ripped away and we are filled with the child’s sense of the wonder-of-it-all.

Main system with Meitner, Audio Note M10 and Kegons on HRS and Acoustic Dreams platforms
[Here we see the Emm Labs DCC2 DAC, the silver-ish box, which is receiving a signal through 10 meter long optical cables from the transport located on the other side of the room. This is connected, by the Valhalla interconnects that are looping through the sky like the St. Louis Arch, to the M10 preamplifier in the center front. The M10 preamplifier is powered by the two, large, black, about 50lb each power supply boxes called Galahads located in the rear. Finally, the M10 preamp is connected, through INDRA interconnects, to the two Kegon 300B single-ended triode amplifiers (whose tubes are plainly visible).]

What we want our systems to do, what this system does for the both of us:

To communicate with our hearts and minds so well, so powerfully, that we are defenseless against it.

Neli says: “Yeah, Neli hates almost all preamplifiers … finally found another one she likes, 3 big boxes, 2 of ’em heavy boxes, $50K. Verrrry nice linestage. Ack!!!”

Acapella Audio Arts Triolon Excalibur and Fidelio Loudspeakers For Sale

Acapella Triolon Excalibur

We still have our demo Triolon speakers for sale. We will post about them one final time here in order to give our readers the opportunity to get these awesome speakers before they go up on Audiogon.

We have talked about these speakers for years. They are still great, even though we have, kicking and screaming, moved on and are no longer Acapella dealers.

Some lucky person is going to get to keep these in their home and immediately have one of the best systems in the U.S. Will it be you?

Acapella Audio Arts Triolon Excaliburs in listening room #1
List price: $145K. Sale price: $90K or best offer.

Want more details? We have tons of information on Acapella Audio Arts loudspeakers.

Also…

Acapella Audio Arts Fidelio 2 speakers
We have a pair of used Acapella Fidelio II monitor loudspeakers.

Wonderful little speakers, with stands, that we have also raved about since they came available about a year ago. They still sound great and at a great price:

List $6800. Used: $4400 or best offer

OK, back to our regularly scheduled programming…. 🙂