Soul-caressing Sound

This is the third post of the series, the other two being: Ear-caressing Sound and Body-caressing Sound.

I think soul-caressing sound is more often experienced, and by more people, than the other two.

It is similar, however, in that we can experience it over and over again, but without realizing that we are experiencing it. We just think ‘Wow, that is really inspiring, or engaging’, or  all of a sudden our eyes are tearing up, or we become energized, after listening to a particular  movement or melody – but then proceed to ignore it.

But if we stop and realize what is happening to us, we can, I feel, more fully experience what is happening.  We can open up to the experience, making sure we don’t fight it, but rather embrace it. This puts is in a little better position of controlling what is happening, which does have its ego-ist issues, but in aggregate allows us to experience soul-caressing more often, and to avoid much of the ‘down’, the ‘crashing’ , when the experience [musical passage] is over.

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We were listening to Madonna: Live (the Confessions Tour) a few days ago, and I kept getting all these emotions filling me, unwittingly, tossing me from poignant, to upbeat, to energized… I imagine this was in large part influenced by her very upbeat tone of voice as she sang and talked / rapped to 10s of thousands of fans who are in love with her.  [The professionalism of these shows by several of the top women vocalists is staggering. Not like the old days where a bunch of drunk  and high musicians go out in front of all these people and kind of ‘wing it’. Not that there isn’t  a place for spontaneity, and I personally prefer it, but still have to admire the show that some of these more ‘modern’ musicians put on].

But I didn’t WANT to experience these emotions. I had work to do and things to plan, and to think about  –  not the least of which was trying to understand  just how good the sound was that  we were listening to. Some of the time I was even in another room, just overhearing the music from afar –  and still, in the end, I just had to realize ‘soul-caressing’ was going on; something was happening to me and I just needed to try and enjoy it [and to try and not let Neli  see me tear  up  –  she always thinks it is so ‘cute’ and ‘endearing’. Argh. I am a guy. We are only supposed to be cute and endearing when we want to be ;-)] .

Unlike drug-like sound in general, which is kind of a catch-all for all sorts of [fun] effects that music can generate in our minds, soul-caressing is just the part of drug-like  sound that reaches out and grabs our soul,  it affects ‘us’, that entity we call ‘me, myself’, our ego, directly. It is not always pleasant, or welcome, but if we acknowledge it  we can better accept it –  and maybe make time and place to enjoy it.

Otherwise a little-bit lower fidelity might be called for – and we can understand why some people just do not want truly high-fidelity, rich, engaging music in their lives. It can be intense.

 

CES 2015 Acapella Audio Arts

At CES 2015 Acapella Audio Arts will introduce their new Acapella Cellini speakers.

We will be exhibiting with Acapella this year in room 30-225, in the Venetian tower, with Neli spending most of her time here.

The Cellini speakers are similar in size and pricing to their Violon speakers but feature Acapella’s new hyperspherical-shaped horn.

Here’s a lovely description, and specifications, fom the factory:

Acapella first used a hyper spherical midrange horn in the Poseydon speakers. This horn configuration offers an extraordinarily open and transparent sound in a more compact home loud speaker system,

Acapella Cellini

This highly musical midrange is traditional accompanied by the Acapella Ion Tweeter TW 1
The bass foundation is provided in a sleek housing that also serves as the support for the Ion Tweeter
and the spherical horn. The complete system recreates the sound of any type of music with absolute
authenticity and a certain mysterious magic.

Technical: Overall Frequency Response: 28 Hz – 40 kHz, Efficiency: ~ 91 dB / 1 W / 1 m
Impedance 8 Ohm, Load capacity: 100 W – 1000 W / 10 ms
Recommended power output of the amplifier: from 15 W
Dimensions (HxWxD) without horn: 1490 x 330 x 475 mm (4,89 x 1,08 x 1,56 feet)
Dimensions (HxWxD) with horn: 1705 x 620 x 585 mm (5,59 x 2,03 x 1,91 feet)
Weight: ~ 105 kg (230 lb), High Version 120 kg (265 lb)

The room will feature:

* Acapella Cellini High loudspeakers, € 46,600, currently $58,250 with the Euro at 1.25.

* Acapella LaMusika integrated amplifier, $106,388.

* Acapella cables, specifics tbd.

* The EMM Labs XDS1 player ($25000) or… the Audio Note CDT-5 transport with one of their Level 5 DACs, specifics tbd

* HRS SXR equipment rack and M3X platforms.

————

CES 2015 is just a few weeks away…

Be there or… read the several dozen show reports that no doubt will appear [including ours :-)]

 

 

Best High-end Audio Blogs of 2014

The Best High-end Audio Blogs of 2014 are a varied bunch.

I think we are uniquely qualified to judge who the best blogs are because:

1) Although we have a fairly successful blog, we actually acknowledge that other blogs / magazines exist

2) We list all of them in the Audiophiles Guide: High-end Audio Blogs.

3) We carry all those that can be carried on the Ultimist high-end audio news page

So, like our show reports where we go to each and every room, we read each and every blog [off and on, we don’t click through to read every single post!]. However, in the end, this is a purely subjective choice.

Drum roll… roll… roll…

1. Mono and Stereo

By shear breadth of coverage and frequency of posts, these guys are dominating the blogosphere in the Audiophile World. The stories are not as in-depth as we would like, and hardly any thought pieces, but these guys have tapped the mainline of what is happening in high-end audio.

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2. Two Good Ears

Something about the vibe; the immediacy of the portrayal of a life of an audiophile; the international, welcoming feel that makes this a water-cooler type hub for what is happening in the Audiophile World. A nice place to hangout.

3. Can’t think of a 3. [Not that there aren’t a ton of good ones, but none seem to stand out as I write this]

 

Runner ups:

Audiophile Magazine (French). In-depth editorials that address serious issues in our community.

6moons. We like the new design of the front page. A minor change but much easier on the old noggin.

A few really good posts on the passing of Harry Pearson:

Jonathan Valin on Harry Pearson

* Jonathan Valin also had a great post on the 40th anniversary of TAS, which included a lot about HP, but for  some reason it seems to have been pulled down? I do not remember it being at all inappropriate. Hmmm….

Mike Fremer on Harry Pearson