Audio Note M9 Phono Preamplifier photos

We opened up the Audio Note U.K. M9 Phono preamplifier – to reseat tubes and just to take a big peek inside [taking the cover off of new equipment is not as common in the U.S. as it is elsewhere in the world].


This is a two-box preamp, one power supply box and one linestage box.

Note how packed with components these two boxes are.


We have a ton of photos, but these are of the linestage.


Check out the wood-like composite non-resonant PC boards that the components are mounted on. Checkout the heavy silver wiring.


This is the volume control.

Yes, we like the way it sounds too. 🙂

Needs lots more breaking in… but it is very intensely musical [whatever THAT means :-)]

Quick Tour II

Ooops – Tour three got posted before two.

Well, not much is happening on this floor. Two nice systems. The EDGE is still on the AN speakers – where we are performing some macro-dynamic shock treatments and seriously braking them in, using solid-state so we do not have to waste any tube life on the somewhat contrived process.


Some shots of the Audio Note and Walker turntables. No phono-preamplifier down here yet – so these sit here, appreciated only for their good looks.


The Marten Coltrane loudspeakers [on consignment] on the Lamm ML2.1 and Audio Aero Prestige

Quick Tour III


This system – the Audio Note Ongaku 211-based integrated amplifier into $7K AN/E HE speakers, driven by a little $3.5K Audio Note CD2.1x Mark II Player [Valhalla speaker cable and AN interconnects] – is obviously somewhat unbalanced – the amplifier costing a wee bit more than the rest of the system put together.

But it sounds VERY engaging. The amp is just tossing note around like they were wisps of air [:-)], it so completely dominates the sound.

Is this approx. $100K system better than a more balanced one with, say, $30K AN speakers and a $30K Conquest-like amp and $20K digital transport and DAC and $20K preamp?

Probably not.

But it is really fun to listen to – especially if you are familiar enough with listening around, and to, individual components in the system. You can HEAR all the flaws, and unsuspected strengths, in the weaker components.

For example, the upper-mids and highs of the little 1-box CD player are really quite good – but the lower mids are a little laid back, and complex passages do not have quite the separation, in comparison to $10 and $20K digital. Pretty good trade-offs, I think.

And, often, perhaps it is the lack of sophistication, the lack of complexity, to the overall sound that makes it really surprisingly straight-forwardly exuberant sometimes – when it all just comes together.

You know, they say happiness is the removal of pain. Like the scratching of an itch. So, perhaps for ultimate musical enjoyment, there has to be some pain, something not quite EXCELLENT, mixed in with the excellent sound, for us to feel that ultimate Audiophile High? [if so, boy do we all need therapy or what? ;-)]