… have seen us iterate through a lot of different systems…
Main room with Acoustic Zen Adagio and Audio Note AN-E SEC Signature speakers and Ongaku amplifier, driven by Audio Aero Capitole
Listening room 2 with Marten Coltrane Supreme loudspeakers driven by Audio Note Ongaku amplifier and EmmLabs digital front end.
A close up of the components. This is the whole system, these 4 components. Nice and tidy for a change…
However, though this system reached a level of musicality and approached the sound that we are looking for this system have – it was too bizarre having two preamps in the loop, the preamp in the Ongaku serving to try and match the SPLs of the midrange to that of the bass amplifiers. It worked, but…. We might try this again – but for now….
… we changed this, we now have the Lamm ML1.1 push-pull amplifers on the Supremes.
… which will chaneg for an audition tomorrow, assuming they can get up the driveway and up the stairs – which is not a given anymore with this Monther of all Winters the world has on its hands.
Back upstairs again, after the unphotograhed step with the Acoustic Zen Adagios being driven by the Audio Aero Capitole amplifier…
We got the Audio Note Ongaku amplifier driving the Audio Note AN-E SEC Signature speakers, with the Audio Aero Prestige as front end this time. We spread the speakers wider apart also, to see just how wide a soundstage we could get and possibly get some reinforcement from the nearby wall and horns 🙂
But in either position, the Audio Note speakers filled the room nicely. The midrange even approached the capability of the big horns to fill the room, and the bass – once the horns are gone we can try to position the little guys much closer to the wall – the bass is decent and satisfying but does not match the 4 x 10 inch woofers in a sealed cabinet… yet.
In fact, we will likely have 3 kinds of bass in this room: the big relaxed bass of the horns [no we will not mention their brand name – they can do their own marketing for a change], the ultra accurate and ultra powerful bass of the Marten Coltrane Supremes, and the very natural sounding, horn-like bass of the Audio Notes. How cool is that!!!
We’re going to have to post sometime about how it is not about what is ‘best’, but about is most ‘insidious’, and particulary, the number of ways it can be configured to be ‘insidious’. Insidious in that it produces a sound that gets into your head and just takes over.
The Audio Note U.K. Kegons amplifiers are on the Kharma Mini Exquisites, with the Lamm L2 preamplifier and Audio Note digital front end (and Audio Aero Capitole as well, in shootout formation). We then put the Kegons on top of HRS platforms, which is how it sits tonight.
Tomorrow we may get a chance to put the Mini Exquisite speakers over on the Supreme system in an all Audio Note configuration – with the Kegons to start, and Ongaku later if our snow shoveling arms hold out.
Finally, we have the system in listening room 3, area #4, with the little Audio Note speakers with the Kharma MP150 amps driving them, the Audio Aero Capitole serving as CD player and preamp.
Kind of a hodge podge system as we are in the process of breaking in the speakers – but it sounds darn good….! Neli likes it and her office is across the way. These are high-efficiency speakers and they reveal that the 1st watt of the Kharma amps is really quite good sounding, regardless of it being solid-state, digital in fact.
