Our Rocky Mountain Audio Fest 2007 System

… is shaping up…

We are now running the Emmlabs CDSD transport through 10m long optical cables to the DCC2 DAC/Pre into the Marten Coltrane Supremes Crossover/ Bass amp into the Audio Note Ongaku and finally to the Marten Supreme speakers.

The key is that the cables are all Jorma Design Prime and one Stealth INDRA interconnect. Less cable, better cable, sound.

Now. This sounds better. But is REALLY sounds better running the DAC direct to the Marten box, not going through the DCC2’s preamp.

When I say ‘really sounds better’, it is both somewhat subtle and somewhat not subtle at all. There is an energy that was present without the extra preamp in the loop that was amazingly hypnotic… but it is hard to hear this when just listening to frequencies and dynamics and other audiophile-type attributes. I guess that is why we call it magic.

Anyway, without the preamp, to change the volume requires changing the main tower volume on the Ongaku and the bass volume on the Marten box. We are running with unity gain into the Marten box, but the bass volume knob works really well. Neli think this is too weird for a show. I think it is no weirder than having two knobs, one for each (left and right) channel, We just have a top and bottom channel instead.

But is is a pain to walk up to the front in a large room like we have at RMAF and adjust the volume all the time, along with syncing up the bass volume to the midrange volume – so it is unclear if we will use the optimized setup at the show (and we want to support use of a turntable as well). But when we get back… This is just too good to pass up.

………and then perhaps swapping out the INDRA for more Jorma ‘Prime’ cable, or Nordost ODIN, or Audio Notes new SOTTO …. How much fun! ๐Ÿ™‚

The Marten Coltrane Supremes

Just saw a copy of the review in HiFi+ of these speakers by Roy Gregory. Thanks mystery friend ๐Ÿ™‚

Haven’t read the whole thing, but I like where he pointed out the intimate presentation (my words) of these speakers.

The Triolons were larger-than-life, which is not necessarily speaking about the soundstage size, but the overall ‘feeling’ of the presentation. A kind of impersonal presentation. I always felt like an honored guest at the musical event.

The Supremes presentation is more intimate, like the musicians are playing for ME. Much more personal.

I do not think this has to do with their relative size. There are many small speakers that are very impersonal. Some of them make one feel like an unwelcome intruder… ๐Ÿ™‚

Preparing for RMAF 2007

The Rocky Mountain Audio Fest here in Denver is just around the corner. October 12th I think. I hope. Better go look I guess.

Anyway…

We are planning on taking the Coltrane Supremes, like last year. But this time using the Audio Note Ongaku integrated amplifier to drive them. ‘How Sweet it Is!’

We were using the Edge Reference ‘pyramid’ amps you see there in the photo, but not any more, so just delete them somehow with your visual cortex.

The sound is quite sweet and beautiful, the first time we’ve really achieved this with the Supremes (they are finally breaking in, hurray!), which are, to put it simply, the only competent speaker made today. All other speakers have serious flaws in comparison. Not that people don’t LIKE some of the flaws in those other speakers, and they’ve certainly got used to them, but, well, there you have it.

The source equipment consists of the Meitner CDSA and the Audio Note M10 preamplifier. We’re thinking the system may be a little too laid back and are planning on replacing the Shunyata Anaconda Helix Vx with Nordost Valhalla power cords, something closer to the Belden OEM cords the factory recommends :-), to try to get the system to lively up itself a little bit.

I mean, it is close, but people at shows… its hard to figure them out. Some want rooms to be LOUD and IMPRESSIVE (esp. in this price range :-)) some want it to be REAL, … etc. just like they do with their own systems. And our goal, and I think we can achieve this, is to make it excel in all categories.

The problem is in the subject flavor – how to flavor the system right… down… the…middle.

To please as many people as possible. And us too! ๐Ÿ™‚

And then there is the let’s just take the EMM Labs CDSD and DCC2 and the Ongaku and be done with it. No preamps, no second rack. No turntable. No second digital source. … Mt arms feel better already ๐Ÿ™‚

Of course, there is our second room, the Audio Note room. But that is a small room, a decent-sized system, and adds only a few gray hairs to the noggin.