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Previously, on this high-end audio (Medium Resolution) CES 2008 Par-tay, it is Wednesday
evening and dark out, the third day of this four day show. We just
finished the Alexis Park, and we are now moseying over to the St.
Tropez and hopefully get most of it finished. Which we do.
More or less. [we missed a couple of rooms, and a few were
locked for demos of done for the day].
During this time, we have gone trough about 75 - 80% of the
high-end audio rooms. The sense is that this year there are fewer
bad rooms, people are playing their music at more reasonable
volumes, Dianna Krall and Patricia Barber were only heard once,
but Heavy Metal, Techno, New Age, and Rap were just as rare - and
even classic rock & roll (I heard DSOTM once and Dire Straits
once) was as rare as a public area without slot machines. People
were mostly playing unfamiliar [to me] audiophile-approved music.
Many rooms weren't playing their systems in general louder than
background music. It was very much a "Please ask and we'll turn it
up / put something on for you" kind of show this year, I thought.
Onward... this page and the next, St. Tropez Part 'C', finishes
off the St. Tropez and T.H.E. Show. |
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JAS speakers, Raysonic electronics. |
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The Raysonic equipment always looks well-made and attractive. The
Jacuzzi pegs the last remodel of the St. Tropez at what, about
1975? '80 maybe? |
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Kind of the same picture as the last
one, but trying to capture the glow of the tubes. |
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One of the Raysonic monobloks. |
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The second Granite Audio room, with JAS loudspeakers and Bravo
amplifiers, and Granite preamplifier and cables. |
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Stillpoints equipment rack, David Berning amplifiers, Exempler
Audio electronics, TW-Acustics turntable, and German Physics
loudspeakers. |
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System #2 in the adjoining room.
Exemplar Audio CD player, and the rest is Belles electronics. Oh,
and Stillpoints rack and Adept Response power conditioner. |
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The Sound Application room featured Venture loudspeakers and
Silicon Arts amplifiers, with Concert Fidelity electronics and a
Weiss digital front end. Power management done by Sound
Applications, of course. The Venture speakers, one of the most
beautiful speakers made, are a little too laid back even for my
taste [Neli and I now like both laid back and forward
presentations, though we have traditionally preferred laid back,
soundstage-behind-the-speakers presentations]. |
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The Weiss 'Jason' transport |
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The Weiss 'MEDEA' DAC. |
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Silicon Arts Design
amplifier |
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There were several Sound
Application line conditioners in the room. I know, it says RLS-1
Reference LineStage, but it is really a line conditioner. Trust
me. And if you don't trust me, trust the sign there. |
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Trying to figure this
out... are PCs still made with Firewire connectors on the back? I
am pretty sure MACs are, but PCs? My PC is hard to get around to
the back of... but I'll have to look. Everybody else is going with
USB DACs, I believe, but considering my USB cables spontaneously
lose a solid connection very 3 to 6 months, and need to be
unplugged and plugged back in, maybe Firewire is the right way to
go. Or maybe my USB cabled devices are just having a problem with
Windows. Nahhhhh, can't be th-aaaaat. |
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Reference Audio Mods likes to use wood in their modifications, an
easy identifiable trademark. More Emerald Physics loudspeakers -
almost ubiquitous this show. |
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PS Audio amplifiers, DCX2496
Ultradrive Pro equalizer. |
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Teresonic amplifier and speakers. We liked this room last year [or
the year before] but this year it seems like people were gathering
to go out to supper and then they started talking to me about
different pictures people could put on the side of the speakers
[see last photo of Ray Charles on a speaker]. I forget what they
were suggesting, but it wasn't really appealing to me [maybe
something like your favorite football team's logo or something]
and, it was mixed company and all, so I said 'somebody could put a
picture of their wife on the speaker'.... then I hurriedly looked
at the guy and said 'well, if they like their wife...'. With all
the divorces, you never know, right? But he seemed to not be
offended - and it would increase the WAF factor by some
amount I bet. Oh, so, during all this, I did not get to hear the
system - but it was not like people were playing their systems in
general louder than background music. It was very much a "Please
ask and we'll turn it up / put something on for you" kind of show
this year, I thought. |
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Teresonic amplifier. |
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See? Ray Charles. |
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Speakers with Feastrix drivers, electronics by Red Rock Audio, and
Marantz CD player. PranaWire* cables. I really didn't get a feel
for what this system sounds like - to the point where I remember
hearing it and not knowing what to think. It is time for the
T...E...S...T... CD. Heck, even my gym is playing Radiohead these
days - so my test CD will be Radiohead, and hopefully everyone
will play it [even Vladimir and Elina :-)] - it is exceedingly
well recorded and exceedingly complex [without appearing to be],
and it will tell me a lot more about these systems than the beddy
bye music that I hear in a lot of rooms. Not that they were
playing that here, of course. But whatever it was, it gave me too
little information about the system's performance. Same problem in
the Acoustic Zen* rooms coming right up [though there I actually
sat and listened to several songs before I gave up]. |
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Loudspeakers with the Feastrix driver people are all atwitter
about. |
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Red Rock Audio linestage. |
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Red Rock Audio amplifier.
OK. So I finally learned how to take photos that are more or
less in focus AND show the glow of the tubes. So I am showing off
a little bit. I'll probably get over how much fun this is in, oh,
two or three more years [my Camera is three years old and has
25000 photos on it at this point. So, in three years, I'll
probably have calmed down a little bit... Or not.]. |
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And the piece de resistance... Not. |
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Copyright © Audio Federation,
Inc.. All rights reserved.
All pictures in this report are freely copyable and distributable
if attribution is given
but may not be included in multi-room show reports without written
permission.