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Here we see the MBL 116
speakers being played. They list for $17,900. In some sense that is not
very much money in today's speaker market, so one is more willing to
forgive problems with the sound. On the other hand, it is a lot of money,
and there is a lot of competition in this price range.
What is it about MBL? Love them, hate them, but there is something
definitely different about them. For one, there is the fit and finish and
over the top aesthetics of their gear. Yum Yum. Then there is their
speakers. They look... different. They also sound... different. Big, open
360 degree soundstage. Nobody else does it better, in my opinion. No
boxiness to the sound... at least for the midrange and above. But... And then there is the midrange. These are very smooth sounding
speakers. This can be a boon for when a badly recorded CD is played - but
the sound is smooth do to an apparent complete lack of microdynamics. This
means that the emotional nuance and delicacy of the musician's performance
is not able to be communicated by these speakers. And another thing.
Listen to these and try to tell a keyboard from a piano, an electric
guitar from a bass guitar... hey, even a electric guitar from a
synthesizer. It ain't as easy as it sounds [pun accidental]. In fact, I
could not do it several times - though I knew it *had* to be a guitar, I
sure couldn't say it sounded like one. |
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An MBL speaker with more conventional drivers. Never got to hear this at the show. |
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The MBL 121's list for $9,999. Never got to hear these at the show either. |
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More pictures of the MBL 121 |
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More pictures of the MBL 121 |
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The MBL 6010D preamplifier that was being used at the show. Our pictures do not do it justice. It has a massive presence. | ||
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The MBL 6010D preamplifier |
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The MBL CD player being used |
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The MBL 1511D converter |
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