I took these photos yesterday – and already things have changed quite a bit, with a few pieces going out on audition and Thursday another shootout will mix things up some more
We have had the Audio Note Kegon Balanced amps on the Marten Coltrane Supremes for a few months now. It is very nice and for some reason produces more bass than any amp we have had on these speakers [so we just turn down the bass on the crossover. We also can move the speakers out from the wall a wee bit more if we decide we are missing something. Haven’t felt that way so far though…]
We are running the Brinkmann Balance turntable and EMM Labs CDSD and DCC2 digital through the Audio Note M9 Phono preamplifier.
We are using the little S4 step-up for the Titan cartridge on the M9. Works pretty dang good, considering it wasn’t really made for this kind of thing. Heck, running the Titan direct sounded pretty dang good, although very quiet. The point being that the Phono in this preamp has a qualitative depth that is really fun to explore – it is very open, very harmonically complex, with very good dynamic resolution.
This is the exact same system that we took to CES: Audio Note everything: Ongaku integrated, SEC Signature speakers, SOOTTO interconnects and SOGON speaker cables, with Nordost ODIN and AcroLink power cords.
Except the placement is kind of … different. A future post will talk about this weird placement that really works very very well … for octagonal rooms anyway.
A couple of turntables share the Lamm LP2 phono.
The Kharma Mini Exquisite speakers are being driven by the big EDGE reference amps. We swap between these and the Lamm ML2.1 amps, which A. underdrives the speakers something awful, but B. sounds very very wonderful in the midrange. About half the people only care about A and half only care about B. I think Neli and I are both B – because B is so gooood – but we understand the A point of view too
The EDGE from above. ODIN speaker cables and interconnects.
The 3rd room. We take new visitors to our store/home/showroom here first. I’d say about 60% convince us it is the best sound they ever heard.
Then we take them to hear the other systems.
This system is good enough that we tend to spend way longer here than we probably should – given that there are 3 systems to go we often spend 30 – 40% of our visitor’s time here.