… but tomorrow’s systems configuration may not be the same as today’s configurations.

Acapella Triolon Excalibur loudspeakers, Edge Reference amps, Audio Aero Prestige CD / SACD player / linestage.

In a few months the Marten Design Coltrane Supreme loudspeaker system will be moved here. But for now we get to learn about how the Supremes sound in a mostly enclosed room with a 8 foot ceiling.

Marten Coltrane Supreme loudspeakers, Lamm ML2.1 amps, Lamm L2 preamp and Audio Note CDT Three transprt and 4.1x Balanced DAC.

Eventually, this is where the Marten Coltrane and larger Kharma loudspeakers will live.

Soundlab Ultimate loudspeakers, Edge Signature One amps, Audio Note M10 preamp, Emmlabs Signature Edtions CDSD transport and DCC2 DAC.

The Soundlab Ultimate loudspeakers will live here for awhile. It is good to put these big guys somewhere where they do not block the Winter-time sun. They kick butt being driven by the Audio Note M10 preamp in this system at this time, but then again, so does everything else.

The Acoustic Zen Adagio speakers are here getting ready for a number of auditions for people who want to hear them in a large room. Wish we had another room here - and we are trying to think of ways….

Marten Coltrane loudspeakers , Audio Note Kegonn amps, Audio Aero Capitole CD player / linestage

The Marten Coltrane loudspeakers are here for both us and customers who want to hear how they do in a small 10.5 x 20 x 9 foot tall room. This is where the Audio Note speakers, smaller Kharma and Marten speakers and Adagio will live.

We appologize that it is taking us so long to get up and running (and finish the show report). We’ve had a few industry reps over (we don’t care if THEY don’t get the full impact of hearing all four of our systems running on all cylindars - the Acapella Triolon speaker, Edge reference ‘pyramid’ amp and Audio Aero Prestige CD / SACD player system IS, however, up and running), but, well, here is Mike & Neli’s October exercise program:

Step One: carry 2000 lbs of equipment down the stairs
Step Two: carry 3000 lbs of equipment up the stairs
Step Three: survive step one and step two

Listening room number three’s mess

Listening room number two South side mess.

Look Ma, no TV! Yes, it is true, no video with high-end audio for Mike until we get a front projector (90% chance it will be the Sony Ruby).

This is where the Marten Coltrane Supremes will go. You can’t tell it from this picture, but the view out the windows is very nice - the same view as our main room, but a little more intimate because it is closer to the ground and the trees block more of the view.

Putting the Coltane Supreme loudspeakers here will allow us to learn about how to setup these puppies in a more-or-less reasonably sized room (15 x 27 x 8 feet tall). The SoundLab Ultimate loudspeakers you see here are going to be moved to the North side of listening room #2.

Listening room number two’s North side mess. These crates are the crates for the Coltrane Supremes. Yay, we got them up the 30+ steps up from the garage to this lower level - and by just the two of us (with an extra push from an industry rep who shall remain namesless for the time being - it was great seeing you guys!).

Now comes the hard part, picking which racks to put where and which components to set things up with initially.

I want to put the double-wide RixRax here on the North side, but instead of in the normal configuration (which would trap a lot of space behind the rack because it is a doublewide and the wall is shapped like the end of a octagon) I want to position it so that it sticks out into the room - so that there is easy access to both the front (i.e. what would not be the left side) and the back (which would now be the right side). But Neli thinks I am crazy - especially now that I have proposed this non-standard orientation for the rack.

Anyone else think this is a good idea? All of you who do not post an opinion, I will try and convince Neli that you all think it is a good idea too……

…..yeah, I know, she won’t believe me even for a second…

As of last night, the proposed allocation of components to speakers goes like this:

Coltrane Supremes:
—————————
Audio Note CDT Three transport and DAC 4.1x Balanced
Lamm L2 linestage
Lamm LP2 phono stage
Walker Proscenium Gold Signature turntable
Lamm ML2.1 amplifiers
[This system sounded so AWESOME on the smaller Coltrane loudspeakers - we are hoping this awesomeness transfers to the big boys].

Soundlab Ultimate 1 (with guest stars: the Kharma Mini Exquisites and Acoustic Zen Adagio loudspekaers)
—————————
Emmlabs CDSD Signature transport and DCC2 Signature DAC digital source
Audio Note M10 preamplifier
Edge Signature One amplifiers

[We used this system to break in the M10, but it sounded so wonderful - the Soundlabs really sounding organic and warm enough to compete with speakers costing a heckuva lot more than the $31K that these go for].

Audio Note AN/E SEC Silver Signature (with guest star the Marten Coltrane loudspeakers):
————————————————-

Brinkmann Balance turntable
Audio Note M8 full-function preamp
Audio Aero Capitole CD player
Audio Note Kegon amplifiers

[We want to try a turntable on the Audio Note spekaers and we want to hear how the Coltranes sound in this small, 10.5 x 20 x 9 feet tall room]

Of course, all this could change today as we move stuff around.

or “Round ‘em up, Head ‘em out”

or “We’re just going to pieces”

or “Break in Two Systems, Two Systems, Two Systems in one”

Breaking in Sound Lab Ultimate loudspeakers and Audio Note M10 preamplifier together - using the EDGE Signature One amps and Audio Aero Capitole CD player driving them over on the floor to the right [Oh, you can’t see it in this picture, but you can see the Nordost Valhalla interconnects snaking across the floor there].

This is all just a temporary setup. We are breaking in each notch on the M10 volume control. We got up to ‘5′ yesterday, but that was driving the little Kegons pretty hard - and the Coltranes were getting pretty loud.

But over here, on the still somewhat inefficient Sound Lab speakers - with a solid state amp… we are doing ‘6′ today and will do notch ‘7′ tomorrow. That ’should’ be enough, the Marten Coltrane Supremes (which made it through customs, yay!) are much more efficient than even the Coltranes, so notch ‘7′ should be plenty loud enough for the show…?

Every time we up the volume a notch, the M10 sound is bright and annoying for several hours and the pre lets off another waft of New Electronic Component Smell [Yummmmmm. Is this the only reason we buy TVs and computers and $50K preamps, to be able to experience this smell? Nahhhhhh].

This M10 + Sound Lab speaker-centered system sounds surprisingly good. The Sound Labs really like upstream equipment that errs on the warm side (as opposed to the more icey Parasound or Pass Labs soild-state amps, the former is usually shown witht eh SoundLabs at CES and the latter is to be at this RMAF show in the IsoMike room), and even warmish cables help - like the Pranawire Cosmos speaker cables.

The latest Sound Lab upgrade did seem to tighten the bass quite a bit and increase the midrange dynamics as well - adding perhaps 3dB? of efficiency. Still breaking in, but I noticed that the unfamiliar bluring of images in the soundstage that I heard when we first starting playing the SoundLabs after their upgrade has almost completely gone away.

The old Marten Coltrane system, going to pieces Time to box up most of this system, and move the Marten Design Coltrane loudspeakers to listening room 3. The Sound Labs are going to go over here, next, after the show - and how we get around them when we go up and down the steps is still to be determined.

The current state of listening room 3. Most of the system proper is going to the show, including the Acoustic Dreams rack.

We want to put the Marten Coltranes in here after the show - but they sound best with the Lamm ML2.1 amps and the HRS MXR rack. But the Kharma Mini Exquisites sound best with the EDGE amps… it will be hard to build a system that is optimized for two different speakers like this… not to mention the Acoustic Zen Adagio speakers.

And then there is the HRS MXR equipment rack problem, or rather lack of problem: we want a double wide on the Coltrane Supreme speaker system in listening room #2,and another one upstairs so we can play a turntable in listening room #1 (it is the only thing that will work on our very bouncy floor) - but we currently only have one rack….

So little time (and money) and such a long Wish List.

Listening room #3 with Audio Note AN/E SEC Silver Signature loudspeakers, Audio Note high-gain Kegon SET amplifiers, Audio Note M8 preamplifier, Audio Note 4.1x Balanced DAC, Audio Note CDT-Three transport, all on a Acoustic Dreams equipment rack.

First we put in the M8 preamplifier into the system with the Lamm ML1.1 amplifiers. But something was wrong, the timbre was messed up to these ears (Neli didn’t hear anything wrong). Well, I’ve never heard Lamm sound off key, so it was kind of a mystery… until we put the Audio Note Kegon amplifiers into the system in place of the Lamm.

Ahhhhhhh……..

For some reason the M8 and ML1.1 just did not work well together. But with the Kegons….

The one thing that Audio Note does better than anyone else seems to be the reproduction of Music - with a capital ‘M’. There is just something ‘right’ about the sound that is quite unique. More on this when we talk about the M10 preamplifier that arrived today - but I think it has to do with some very subtle cues from the music that other equipment seem to obscure a little - cues like very fine gradiations of harmonics,

This system, sorry or glad to say, not sure which - sounded WAY better than the Audio Note systems we have heard at shows - both Kondo and U.K. I guess we are just addicted to what vibration control and fat power cords will do for a system - which both of those camps eschew (though Kondo did use some kind of platforms at CES 2006 - they also used a loudspeaker that just…did … not… work).

Our Kegons are the high-gain Kegons. Our Kegons can drive a rock. The newer low-gain Kegons however have more finesse and micro-dynamics, especially on efficient speakers like the Audio Note speakers.

This system actually had too much bass - to keep these amps on here any longer we would have to move the speakers out from the wall, or reposition them in some fashion.

We also used Nordost cables in this system which caused our system to sound leaner in comparison to one cabled with the Audio Note cables, whcih are very rich, and emotional sounding cables.

So, we didn’t get to a 100% pure Audio Note system. But we got a glimpse of what it would be like. We got a glimpse of our future.

Listening room #3 - The listening couch.

… but with components instead of people and equipment racks instead of chairs…. and the music starts instead of stops when it is all over…

In this case we swapped the Audio Note CDT-3 transport and DAC 4.1x Balanced DAC (with the Lamm L2 preamplifier) withn the Audio Aero Prestige CD / SACD / Premaplifier.

The Marten Design Coltrane system with the Audio Aero Prestige CD / SACD player as source. Lamm ML2.1 amplifiers on HRS Isolation Bases.

A lot of empty shelves on that HRS MXR rack…. THAT situation can’t last for long

I can’t help thinking of the Audio Aero as young and energetic and full of enthusiasm - at least in comparision with the Audio Note digital. HRS MXR equipment rack. Swapping back and forth between the El-rod and Shunyata power cords.

The Audio Note system with the Audio Note as source and Lamm L2 preamp as source. Lamm ML1.1 amplifier on Acoustic Dreams amplifier stands. Acoustic Dreams equipment rack.

The $20K (plus the $14K Lamm L2 preamp) Audio Note is more refined, and well-balanced in comparsion with the $13K Audio Aero…

Kind of the opposite of the speakers… Where the Coltrane is more refined and well-balanced in comparison with the very musical and very energetic Audio Note speakers.

We try to both strive for a balanced system as well as take advantage of each components strengths… which is a lot easier said than done….

[Audio Note AN-E/SEC Silver Signature loudspeakers, Lamm ML1.,1 amplifier, Audio Aero Prestige CD / SACD player in listening room #3]

What a nice system. Works great in this room - deeply enjoyable, great PRaT, emotion, realistic and well-articulated voices…. we like it!

And everyone else so far likes it too

OK, we have an audition this evening - now! - so we’ll have to post more on this later….

Oooooooh.

We are always a little nervous.

We hear something at a show or two - we are very confident we undertand the sound of this something. We even write a glowing review of the sound - because we really liked what we heard.

We have loved the Kharma sound for years, and championed them for years to everyone that we thought would really enjoy them, even though we did not carry them in our store. Yep, some people think we are nuts. Whatever. We just love this stuff. Anyway…

Then we get the chance to put our money where our pen is. OK, yes. Yes please.

But one never knows for sure, for really sure, until it is in the room, hooked to the amps, using the cables and playing the music whether that something will sound as good as expected.

Well, …

We are SO happy.

These little guys are a-m-a-z-i-n-g.

Sweet, Emotional, Enjoyable, Real and Magical.

They are even sounding a little impressive. These little guys? Impressive?

And this is right out of the box. I mean crates.

We (I ) turned it up louder than the spanking brand new speakers wanted to go, while trying to keep SPLs below the point where the room gets overloaded. Even unbroken in, the stiffness and brittleness had a positive, enjoyable, dare I say it, adrenaline-inducing impressive character to it.

We put them on the Lamm ML1.1 monoblocks (also cold) and the Audio Aero Capitole MK II (also cold) with Nordost Tyr speaker cable, Valhalla interconnects and Valhalla power cords on the amps, Shunyata Anaconda Alpha power cord on the Capitole.

It seems to be a pretty good match so far. [Yes, to everyone who has been asking, we will indeed put them on the Lamm ML2.1 very soon now The ML1.1 amps just happened to be sitting there and I think we should put at least a few hours on the Mini with these larger amps. And the ML2.1 on the Marten Design Coltranes is really taking the feet out from underneath everyone who hears it - literally]

That’s as far as we were able to get.

Oh. Yeah. My Daughter is only 23. Oops. Sorry about that last post there sweetie. Well, at least she is still young enough to like people thinking she is older than she really is. Whew! Everybody got a good laugh at the old man’s memory skills.

Here are some unwrapped Minis:

Unwrapping was an exercise in keeping my fingers out the way of Neli’s scissors as she lectures me on being very careful to not scratch the little Exquisites. Happy to say that no blood was spilled by either of Neli, the Mini, or I. [Neli tells me that I am exaggerating and she wasn’t really that way at all, hardly. Yes, everybody, she is wonderful, just wonderful, to unwrap speakers with………]

Yes, they are in Aubergine. The diamond tweeter cover is a magnet! It just sticks on to the front of the speaker to protect the otherwise very delicate tweeter.

Those fingerprints that you see on the cover plates on these totally brand new, just unwrapped speakers are put there by fingers that have just finished eating Vietnamese takeout and whose owner shall remain nameless (but their first name starts with a ‘N’ if you must know, not an ‘M’ )

I’m sure she’ll have it polished up better than ever even before I wake up tomorrow - it is just so much fun now that I finally have photographic evidence that *she* also has fingers that leave prints…:-)

Yes, they arrived.

Yes, we (finally) got them uncrated.

Yes, we got them up the stairs’s’s’s’s

But they are still wrapped as I write this. This evening we are celebrating the Daughter’s 24th birthday with her and a friend (of course, it is not actually her birthday, THAT was when the REAL party happened … no parents allowed . Anyway, Neli is off getting a birthday cake and, well, we may not get to set these up until tomorrow?

The pain, the PAIN!

I mean I’ will take a chance and caussssually mention to the ‘kids’ that we could go downstairs and check the new speakers out. And then even more casuallllly ask if they would like to hear them. And, well then, it will take just a few minutes to unwrap them and hook them up (to the Lamm ML1.1 driven by the Audio Aero Capitole MK II to start). Hey its worth a try. Bet I have some chance of success too Aren’t I a sneaky Dad?

All Neli can say over and over and over is “They’re so cute! They’re so CUTE!”. They really are. These are pretty little speakers just oozing WAF. Well, I’m sure ooze is not an approved WAF adjective, but you get what I mean.

Tick tock. Tick tock. Tick tock.

We had the Audio Note OTO SE here for a few days before it went out on audition. The OTO is a 10 watt Class A single-ended EL84-based integrated amplifier. The one we had here had a phono stage and retails for $3100.00.

So, we thought, what the hey and put it on one of our hardest to drive speakers (second only to the big Sound Lab U1 electrostatic speakers), the Acapella Violon High Sub.

Here it is on the Rix Rax driven by the Audio Aero Capitole MK II (it is not actually hooked up in this picture as we had a Violin audition and needed to show just what it was capable of and used the $20K Lamm ML1.1 mono-block amps for this purpose).

A close up of the OTO on the equipment rack.

The front of the OTO. You can kind of see the inside of the OTO here. There is a lot of stuff in this chasis, this thing is heavy! 30 lbs if it is an ounce - but that is just a guess since I had to carry it down the 45 steps.

The Rear of the OTO

A close-up of the rear of the OTO.

A close-up of the controls of the OTO.

The OTO actually sounded pretty darn good on the Violons. We heard the OTO, driven at that time by the Audio Note U.K. CD2.1x CD player (discontinued. Only $1000 but was about $1750 new, also out on audition, so no pics, sorry), right after CES and at low volumes (it IS only 10 watts) that system was better than most, well 99.9%, of all systems we heard at CES.

Yeah, this at $52K (not including rack) , is an expensive system including $48K speakers and the rest on the OTO, CD2.1x and Audio Note cables … oops and add a couple of $K for Shunyata power cords - but is was just so pleasant and musical after the sonic hysterics of CES.

The little CD player had less bass than the Audio Aero, which kind of worked well on the Violon High Sub (with built-in isobaric subwoofer) in that small room.

There were a few tonality problems, and it ran out of steam when we got it to around 90dB or so. But if *I* had only $53K or so, and a small room, and I knew I would be able to upgrade the upstream components later and get a larger room… This somewhat lobsided system would be near the top of my list.

Maybe we should do a piece on lobsided systems - usually I think the key to the best sound is Balance Balance Balance (you Brinkmann Balance turntable fans can stop smirking now ).

But it seems there are always special cases.