The gym was closed so….

Moved seven 60 lb or so HRS platforms, two 120 lb Edge Signature One amps, two 90 lb Lamm ML2.1 and two 90 lb. ML1.1 amps, two 20 lb. M10 Galahad power supplies downstairs… but it seemed like a lot more.

The Showroom 2 Coltrane Supreme system

The Audio Note equipment that was upstairs is now on this system: CDT-Three transport running into a DAC 4.1x Balanced into the M10 linestage into the Kegon 300B SET amps.

The Showroom 2 Coltrane Supreme system equipment rack

The Showroom 4 Coltrane / Lamm / Brinkmann system

We are pretty familiar with this system - but not in a small room like this. Also would prefer it on an HRS MXR rack but, oh well, this is Thanksgiving, not Christmas, and we are happily trying to figure out what to play on what system as we roll from room to room after yesterday’s feast (after which Neli is still very fit and thin - but Mike? Mike thought he would never need to eat again, … at least until breakfast anyway ).

The Showroom 3 Soundlab / Kharma system

OK, it was getting close to (past) time to eat so we didn’t get this setup yet. After dinner tummy sizes were interfering with the ability to move…

We plan on using this system to hear the Emm Labs running direct into the Edge Signature One amps into the Kharma Mini Exquisites - we haven’t heard this before.

Old location of Showroom 1 equipment rack

Oh, and we moved a bookcase full of CDs upstairs. This was piled sky high with CDs and DVDs in front of the Coltrane Supreme loudspeakers. Now it is upstairs where the old Showroom 1 Rix Rax equipment rack used to go (although it only had the Emm Labs CDSD transport on it, connected by 10 meter long optical cables to its DCC2 DAC in the front of the room).

Where will the little Rix Rax equipment rack that was here go now? Geez, it is always somethin’….

… also breaking in.

Showroom (show area) 3 now has thge Soundlab Ultimate 1 electrostatic loudspeakers as permanent residents and the Acoustic Zen Adagio as guests.

Neli tells me there are a number of people who want to hear the Adagio’s in a larger room, so here they are for now. We still have to fuss with the positioning… and they might even end up against the long wall where we can, because they are front ported, try putting them from very close to the wall to out in the middle of the room.

The Soundlab U1 really, really sounds nice in this system. Yeah, it is an expensive front end - let’s see, about $130K for a $32K speaker - but it makes that system sound quality on a par with some of the best systems we have heard, bar none. Not just in coherence and detail, which the Soundlabs always have, but involvement and suspense and emotionalty and naturalness. Magic? Can’t tell yet, with the show and all this breaking in we haven’t got a chance to just live with it for any length of time yet. It was the introduction of the M10 that really put this over the top.. and we found this out by accident, if you will remember, when we were just trying to break in the M10 at high gain (volumes) and so put it on the hard-to-drive Soundlabs.

The equipment rack for Showroom 3. We have the Emmlabs CDSD SE transport in front, Edge Signature One amps behind it, and on the HRS MXR equipment rack the Audio Note M10 preamp and its two large Galahad power supplies and the Emmlabs DCC2 SE DAC. Lots of Shunyata Anaconda power cords, Jorma Design No. 1 speaker cable, and Nordost Valhalla interconnects - and I think we have a Jorma ‘Prime’ interconnect in here too.

The equipment rack for Showroom 3. One of the Galahad power supplies is on the top whelf - it was the only way we could get 4 things on the MXR rack given that one of those things HAD to be the M10 (for the reasons of curiosity and because we didn’t want to have to step over those big boys every time we wanted to put a CD in the transport).

[No, your eyes do not deceive you, the Edge amps are indeed on the floor. One, they do not sound so bad there, this is not the first time they have visited the carpet. Second, we really do not have enough HRS M3 Isolation Bases to go around - we know we need them, we know we want them, we know we will get them, but for right now… it is on the carpet they go]

As far as how the Adagios are sounding at this point in their breakin process…. see next post.

… but tomorrow’s systems configuration may not be the same as today’s configurations.

Acapella Triolon Excalibur loudspeakers, Edge Reference amps, Audio Aero Prestige CD / SACD player / linestage.

In a few months the Marten Design Coltrane Supreme loudspeaker system will be moved here. But for now we get to learn about how the Supremes sound in a mostly enclosed room with a 8 foot ceiling.

Marten Coltrane Supreme loudspeakers, Lamm ML2.1 amps, Lamm L2 preamp and Audio Note CDT Three transprt and 4.1x Balanced DAC.

Eventually, this is where the Marten Coltrane and larger Kharma loudspeakers will live.

Soundlab Ultimate loudspeakers, Edge Signature One amps, Audio Note M10 preamp, Emmlabs Signature Edtions CDSD transport and DCC2 DAC.

The Soundlab Ultimate loudspeakers will live here for awhile. It is good to put these big guys somewhere where they do not block the Winter-time sun. They kick butt being driven by the Audio Note M10 preamp in this system at this time, but then again, so does everything else.

The Acoustic Zen Adagio speakers are here getting ready for a number of auditions for people who want to hear them in a large room. Wish we had another room here - and we are trying to think of ways….

Marten Coltrane loudspeakers , Audio Note Kegonn amps, Audio Aero Capitole CD player / linestage

The Marten Coltrane loudspeakers are here for both us and customers who want to hear how they do in a small 10.5 x 20 x 9 foot tall room. This is where the Audio Note speakers, smaller Kharma and Marten speakers and Adagio will live.

We appologize that it is taking us so long to get up and running (and finish the show report). We’ve had a few industry reps over (we don’t care if THEY don’t get the full impact of hearing all four of our systems running on all cylindars - the Acapella Triolon speaker, Edge reference ‘pyramid’ amp and Audio Aero Prestige CD / SACD player system IS, however, up and running), but, well, here is Mike & Neli’s October exercise program:

Step One: carry 2000 lbs of equipment down the stairs
Step Two: carry 3000 lbs of equipment up the stairs
Step Three: survive step one and step two

Listening room number three’s mess

Listening room number two South side mess.

Look Ma, no TV! Yes, it is true, no video with high-end audio for Mike until we get a front projector (90% chance it will be the Sony Ruby).

This is where the Marten Coltrane Supremes will go. You can’t tell it from this picture, but the view out the windows is very nice - the same view as our main room, but a little more intimate because it is closer to the ground and the trees block more of the view.

Putting the Coltane Supreme loudspeakers here will allow us to learn about how to setup these puppies in a more-or-less reasonably sized room (15 x 27 x 8 feet tall). The SoundLab Ultimate loudspeakers you see here are going to be moved to the North side of listening room #2.

Listening room number two’s North side mess. These crates are the crates for the Coltrane Supremes. Yay, we got them up the 30+ steps up from the garage to this lower level - and by just the two of us (with an extra push from an industry rep who shall remain namesless for the time being - it was great seeing you guys!).

Now comes the hard part, picking which racks to put where and which components to set things up with initially.

I want to put the double-wide RixRax here on the North side, but instead of in the normal configuration (which would trap a lot of space behind the rack because it is a doublewide and the wall is shapped like the end of a octagon) I want to position it so that it sticks out into the room - so that there is easy access to both the front (i.e. what would not be the left side) and the back (which would now be the right side). But Neli thinks I am crazy - especially now that I have proposed this non-standard orientation for the rack.

Anyone else think this is a good idea? All of you who do not post an opinion, I will try and convince Neli that you all think it is a good idea too……

…..yeah, I know, she won’t believe me even for a second…

As of last night, the proposed allocation of components to speakers goes like this:

Coltrane Supremes:
—————————
Audio Note CDT Three transport and DAC 4.1x Balanced
Lamm L2 linestage
Lamm LP2 phono stage
Walker Proscenium Gold Signature turntable
Lamm ML2.1 amplifiers
[This system sounded so AWESOME on the smaller Coltrane loudspeakers - we are hoping this awesomeness transfers to the big boys].

Soundlab Ultimate 1 (with guest stars: the Kharma Mini Exquisites and Acoustic Zen Adagio loudspekaers)
—————————
Emmlabs CDSD Signature transport and DCC2 Signature DAC digital source
Audio Note M10 preamplifier
Edge Signature One amplifiers

[We used this system to break in the M10, but it sounded so wonderful - the Soundlabs really sounding organic and warm enough to compete with speakers costing a heckuva lot more than the $31K that these go for].

Audio Note AN/E SEC Silver Signature (with guest star the Marten Coltrane loudspeakers):
————————————————-

Brinkmann Balance turntable
Audio Note M8 full-function preamp
Audio Aero Capitole CD player
Audio Note Kegon amplifiers

[We want to try a turntable on the Audio Note spekaers and we want to hear how the Coltranes sound in this small, 10.5 x 20 x 9 feet tall room]

Of course, all this could change today as we move stuff around.

or “Round ‘em up, Head ‘em out”

or “We’re just going to pieces”

or “Break in Two Systems, Two Systems, Two Systems in one”

Breaking in Sound Lab Ultimate loudspeakers and Audio Note M10 preamplifier together - using the EDGE Signature One amps and Audio Aero Capitole CD player driving them over on the floor to the right [Oh, you can’t see it in this picture, but you can see the Nordost Valhalla interconnects snaking across the floor there].

This is all just a temporary setup. We are breaking in each notch on the M10 volume control. We got up to ‘5′ yesterday, but that was driving the little Kegons pretty hard - and the Coltranes were getting pretty loud.

But over here, on the still somewhat inefficient Sound Lab speakers - with a solid state amp… we are doing ‘6′ today and will do notch ‘7′ tomorrow. That ’should’ be enough, the Marten Coltrane Supremes (which made it through customs, yay!) are much more efficient than even the Coltranes, so notch ‘7′ should be plenty loud enough for the show…?

Every time we up the volume a notch, the M10 sound is bright and annoying for several hours and the pre lets off another waft of New Electronic Component Smell [Yummmmmm. Is this the only reason we buy TVs and computers and $50K preamps, to be able to experience this smell? Nahhhhhh].

This M10 + Sound Lab speaker-centered system sounds surprisingly good. The Sound Labs really like upstream equipment that errs on the warm side (as opposed to the more icey Parasound or Pass Labs soild-state amps, the former is usually shown witht eh SoundLabs at CES and the latter is to be at this RMAF show in the IsoMike room), and even warmish cables help - like the Pranawire Cosmos speaker cables.

The latest Sound Lab upgrade did seem to tighten the bass quite a bit and increase the midrange dynamics as well - adding perhaps 3dB? of efficiency. Still breaking in, but I noticed that the unfamiliar bluring of images in the soundstage that I heard when we first starting playing the SoundLabs after their upgrade has almost completely gone away.

The old Marten Coltrane system, going to pieces Time to box up most of this system, and move the Marten Design Coltrane loudspeakers to listening room 3. The Sound Labs are going to go over here, next, after the show - and how we get around them when we go up and down the steps is still to be determined.

The current state of listening room 3. Most of the system proper is going to the show, including the Acoustic Dreams rack.

We want to put the Marten Coltranes in here after the show - but they sound best with the Lamm ML2.1 amps and the HRS MXR rack. But the Kharma Mini Exquisites sound best with the EDGE amps… it will be hard to build a system that is optimized for two different speakers like this… not to mention the Acoustic Zen Adagio speakers.

And then there is the HRS MXR equipment rack problem, or rather lack of problem: we want a double wide on the Coltrane Supreme speaker system in listening room #2,and another one upstairs so we can play a turntable in listening room #1 (it is the only thing that will work on our very bouncy floor) - but we currently only have one rack….

So little time (and money) and such a long Wish List.

… but with components instead of people and equipment racks instead of chairs…. and the music starts instead of stops when it is all over…

In this case we swapped the Audio Note CDT-3 transport and DAC 4.1x Balanced DAC (with the Lamm L2 preamplifier) withn the Audio Aero Prestige CD / SACD / Premaplifier.

The Marten Design Coltrane system with the Audio Aero Prestige CD / SACD player as source. Lamm ML2.1 amplifiers on HRS Isolation Bases.

A lot of empty shelves on that HRS MXR rack…. THAT situation can’t last for long

I can’t help thinking of the Audio Aero as young and energetic and full of enthusiasm - at least in comparision with the Audio Note digital. HRS MXR equipment rack. Swapping back and forth between the El-rod and Shunyata power cords.

The Audio Note system with the Audio Note as source and Lamm L2 preamp as source. Lamm ML1.1 amplifier on Acoustic Dreams amplifier stands. Acoustic Dreams equipment rack.

The $20K (plus the $14K Lamm L2 preamp) Audio Note is more refined, and well-balanced in comparsion with the $13K Audio Aero…

Kind of the opposite of the speakers… Where the Coltrane is more refined and well-balanced in comparison with the very musical and very energetic Audio Note speakers.

We try to both strive for a balanced system as well as take advantage of each components strengths… which is a lot easier said than done….

We just got this going. Still doing radical repositionings (i.e. we are moving the speaker a whole 12 inches every time we adjust the placement).

It does certainly seem to have enough SPLs to fill our 15 foot by 25 foot listening room #2.

Stay tuned….!

The System: Marten Coltrane speakers, Lamm ML2.1 amplifiers, Jorma Prime speaker cable, HRS MXR equipment rack. Also Lamm L2 preamplifier, Audio Note CDT-Two and DAC 4.1x Balanced. Nordost and Shunyata cabling.

We mentioned how amazing this was sounding in our review of the Jorma ‘Prime’ interconnects.

What does does amazing mean?

Here is what amazing means:

The Coltrane speakers are so freakin revealing… The Jorma Prime cables are slightly more forward than their No. 1 and even the Valhalla, and this new effect was already taking hold. Now, with HRS’s MXR rack [we set it up yesterday, much more on this later ] in place of the Acoustic Dreams, the system sound is even more ‘present’.

We kind of take it for a given that the Coltrane speakers are a little laid back - given the highest quality, completely neutral components up front. But maybe not…

Witb these two new, admittedly over the top, additions to the system… the sound is much more of a engulfing, in the room type of experience.

Our good Canadian friend, Dave H., [you there Dave? Missed you in Monteal] used to talk about how he wanted the sound to come to him, to not have to focus on listening to what was being played, to have the sound ‘take control’ [my words] as it were.

The system was already subtley sinister in the way it would sneak up on a person and make one stop mid sentence, whether one wanted to or not, as the music Took Control.

But now, …

It is hard to move, much more hard to get up.

It is like ‘if I miss this next note, my life will have been worthless and empty’… ‘I must hear this next note!’

I think this house is going to be much more quiet now… because if we start playing any music, we aren’t going to get ANYTHING done.

[Though I am much more disclipined than Neli, and this system is on the same floor as her office. She, she is doomed. So if you can’t get her on the tele as easily as you could before today, you’ll know exactly why!]

And the new Audio Note CDT-Three transport just arrived. We are doomed!

I really like the low-powered Lamm ML2.1 18 watt SET amps on the Marten Design Coltrane 89dB sensitive full-range speakers.

Coltrane speakers, ML2.1 amps, Lamm L2 preamp, Audio Note CDT2 and DAC 4.1x Balanced, Nordost Thor and Valhalla cables, Shunyata power cords

I really liked the Audio Aero Prestige 40 watt amps and the Audio Note Kegon 22 watt amps on the Coltranes before that.

No, they don’t generate that adrenaline rush of a really loud presentation with chest thumping bass.

The Coltranes can do this with the right amplification. And it is really fun. In a Homeresque Whoo Hoo! kind of way.

But the little tube amps on these speakers can hold me…..

SPELLBOUNDDDDDDDDDDDDDDDDDDDD

The little amps are able to grip the speakers pretty darn well. They also show off immense amounts of harmonic detail. etc. etc. etc. etc. etc.etc. etc. etc. etc. etc.etc. etc. etc. etc. etc.

But it is not about all this analytical crap at all.

It is all, everything, completely, about the fact that the …Sound… Grips… Me.

Yeah, It helps that the speaker has a very high resolution, a speaker with all ceramic drivers and diamond tweeters has a tendency to do this. It helps that the speakers are full range, so that whatever bass the amps put out, the listener gets to hear. And they put out a lot of bass - make no mistake - but it is analog bass, like bass in the real world, and not electronic bass (which some ever larger percentage of our music these days likes to use and here is where the little tube amps on hard to drive speakers really do take a back seat to solidstate amps).

But this is not about how the speaker or system sounds.

It is not.

This is about how the sounds affects the listener.

In the end why should I care about the sound, beyond a certain minimum standard, any more than I care about the minute contruction details of the chair I sit in, or the the type of weaving and glue the carpet underneath my feat uses? What we CARE about REALLY is how comfortable the chair is; about how pleasant the carpet is to look at and feel underneath our feet.

What if all reviews and all show reports paid attention to nothing except how the sounds …made …them …feel.

I bet the Stereophile list of Class A components would look a lot different than they do now.